Production Value

‘Grand Crew’ Production Designer Bruton Jones On Designing Spaces With “Detail, Texture And History” – Production Value

‘Euphoria’ Film Editor Julio C. Perez IV, ACE On Matching The “High-Highs And Low-Lows” Of The Adolescent Mind – Production Value

‘Stranger Things’ Sound Designer Craig Henighan On Creating The Unsettling Grandfather Clock & How “Sound Can Help Storytelling” – Production Value

‘We’re Here’ Costume Designers Diego Montoya, Joshua “Domino” Schwartz, and Casey Caldwell On Working With Their “Larger Than Life” Queens & Why They Love Drag – Production Value

‘The Witcher’ VFX Supervisor Dadi Einarsson On Making Creatures More “Integrated” Into Season 2 & The “Magical Moment” When They Come To Life – Production Value

‘Abbott Elementary’ Cinematographer Mike Pepin On The “Passive Aggressive” Approach To Filming Mockumentaries & The Lessons He Learned On ‘The Office’ – Production Value

‘Yellowjackets’ Composers Anna Waronker And Craig Wedren On Their “Crazy Score” & Getting The “Rarest Of Gifts” With The Showtime Series – Production Value

‘Only Murders In The Building’ Production Designer Curt Beech On Telling “Stories Through Visuals” & Key Phrases For Character Apartments – Production Value

‘DMZ’ Costume Designer Dominique Dawson On “Delving Into The Heartbeat Of New York City” For Inspiration & The Evolution Of Z’s Character – Production Value

‘The Afterparty’ Cinematographer Carl Herse On “The Subtlety Of Cinematography” & Shooting “Different, Unique Film Genres” For Every Episode – Production Value

‘The Tragedy Of Macbeth’ Production Designer Stefan Dechant On His “Hero’s Journey” With Joel Coen Film, Robert Zemeckis’ “Pretty Darn Great” ‘Pinocchio’ & More – Production Value

‘Encanto’ Composer Germaine Franco Taps Into Rhythms Of Colombia & Makes History With Disney Score – Production Value