Antoine Fuqua, the director behind Training Day, The Equalizer, The Magnificent Seven and Southpaw among other movie hits, is being recognized Sunday by the Motion Picture Sound Editors, who are giving him their Filmmaker Award at the 66th MPSEGolden Reel Awards.
Ahead of the ceremony, sound editors Mandell Winter…
The sound and music editor and re-recording mixer behind Bohemian Rhapsody, John Warhurst and Paul Massey came to the project with ample experience on music-based films, and still needed time to get their footing, figuring out how this particular one could work.
Telling the remarkable true story of Queen frontman…
Foley mixer MaryJo Lang will be the recipient of the Cinema Audio Society's President's Award, which will be presented during the 55th annual CAS Awards on February 16 at the InterContinental Los Angeles Downtown. The award is presented at the discretion of the CAS president to an individual "who has been dedicated to…
Now hear this: The Motion Picture Sound Editors guild is out with the nominees for its 66th annual Golden Reel Awards, which honor sound artists and their contributions to the past year's most outstanding feature film, TV, animation and computer entertainment productions.
Trophies in 23 categories will be doled out…
EXCLUSIVE:Netflix’s Roma was built from the memories of its writer-director Alfonso Cuarón during his childhood in Mexico City. Those memories are as much of sounds as they are of visuals, according to the filmmaker, who along with his sound gurus explain in a new behind-the-scenes featurette. The pic has been…
After collaborating with Damien Chazelle on La La Land to the tune of three Oscar nominations, sound editors Ai-Ling Lee and Mildred Morgan embarked on a transformative odyssey with First Man, which defied their preconceptions of how sound might manifest in a big-budget space drama. Scripted by Josh Singer, Chazelle's…
The Motion Picture Sound Editors has set supervising sound editor Stephen H. Flick to receive of its 2018 MPSE Career Achievement Award. The honor will be presented February 17 during the 66th annual MPSE Golden Reel Awards in Los Angeles.
A two-time Sound Editing Oscar winner for Speed (1995) and Robocop (1988) — the…
On examination of those behind the filmic curtain—creating the sonic palette through which to feel a world—any number of descriptors seem to apply. Magicians, wizards and puppet masters who have trained themselves in the art of emotional manipulation, sound editors are too often among those craftsmen and women taken…
For supervising sound editor Brett Hinton—a bona fide world builder behind Mr. Mercedes, Westworld and Laeta Kalogridis' cyberpunk wonder Altered Carbon—God is in the details.
With the latter series, Hinton brought life to the dystopian megalopolis of Bay City, as seen in the year 2384. His take on the future was…
Elegantly designed and impeccably shot, Guillermo del Toro's The Shape of Water would need a strong, immersive sonic experience to cross the finish line, ending up as it did with 13 Oscar nominations in the strongest showing for any film this year.
Set primarily within 1960s Baltimore laboratories, this romantic…
In Baby Driver, his fifth collaboration with writer-director Edgar Wright, sound designer Julian Slater found perhaps the greatest challenge of his career that was also his greatest opportunity: a cinematic vehicle that was all about sound.
Ever since 2004's Shaun of the Dead, Slater had become accustomed to Wright's…
Looking at Christopher Nolan’s Dunkirk—or any film the director has made—one can imagine the difficulties the films must pose for his sound team. With images so epic and so spectacular, sound must follow suit, finding a way to equal what is seen on the screen—which is often remarkable, given Nolan’s preferred way of…
