The team that created 1969 Los Angeles for Quentin Tarantino’s Once Upon a Time in Hollywood took home the Oscar for production design Sunday at the Academy Awards.
The award marked the first win for production designer Barbara Ling and the second for set decorator Nancy Haigh, who took home an Oscar in 1992 for…
Peter Larkin, whose innovative set design graced Broadway productions and major films, died Monday at his home in Bridgehampton, New York after a brief illness. He was 93 years old and his death was confirmed by his stepson, screenwriter Wesley Strick.
Larkin won four Tony Awards and was behind the set design for such…
Lawrence G. Paull, a production designer and art director whose work on the science fiction classic Blade Runner earned him an Oscar nomination and won a BAFTA Award, died Sunday in La Jolla, Calif. He was 81. No cause of death was given.
Paull had a long history in Hollywood, designing for such films as Robert…
Tonight, in her first go-round at the Oscars, Hannah Beachler took home the statuette for Best Production Design, for her contributions to Ryan Coogler’s Marvel phenomenon, Black Panther.
Visibly stunned as she appeared on stage, and later in the press room, Beachler thanked her fellow nominees for the “extraordinary…
EXCLUSIVE: The production designer behind The Favourite, Fiona Crombie relied on the generosity of strangers, in order to bring Yorgos Lanthimos’ wild vision to life, as she explains in the video above. An 18th century black comedy, Lanthimos’ first period piece pits a servant and a duchess against one another, as…
An expert when it comes to films of epic scale, Nathan Crowley ventured into the unknown with First Man, his first outing with Damien Chazelle, which finally got him to the Moon. Centered on astronaut Neil Armstrong, and the many missions leading up to the historic success of Apollo 11, the pic was a massive technical…
For production designer Eugenio Caballero, Alfonso Cuarón's Roma was a project unlike any he'd worked on before. Nothing could truly prepare him for this black-and-white epic, the director's most personal project to date, which he'd been thinking about for over 15 years. In the case of the Netflix original, Caballero…
The production designer of Mary Poppins Returns—Disney's follow-up to a 1964 musical classic—John Myhre knew about the project for at least 10 years, sitting for a long time with the responsibility and opportunity in taking this film on. Discussing it with Marshall on the set of 2009 musical Nine, following…
In his first collaboration with Wes Anderson on Isle of Dogs, Paul Harrod translated an auteur's live-action style to stop-motion, a medium that allowed for a spectacular visual presentation, but came with a set of limitations that proved problematic. Gathering reference materials and establishing certain visual…
On Suspiria, her first project with Oscar-nominated director Luca Guadagnino, production designer Inbal Weinberg faced challenges that were almost insurmountable, on creative and practical levels. An homage to Dario Argento’s 1977 horror classic, rather than a straight remake, Guadagnino's film demanded boundless…
Greek auteur Yorgos Lanthimos' first period outing, The Favourite imposed immediate, practical challenges upon its below-the-line team, a film where extreme vision, finances and other realities would collide. Set in the immense court of Queen Anne in 18th century England, the black comedy called for all the detail and…
