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Former IFC Films Boss Jonathan Sehring On Steering ‘Drive My Car’ From Cannes To The Oscars & His New Venture, Sideshow
As Drive My Car sped from a best screenplay win and stellar reviews at Cannes to four Oscar nominations (Best Picture, International Feature, Director, Adapted Screenplay), distributor credits for the three-hour Japanese drama went to Sideshow/Janus Films – the former a little known new venture from Jonathan…
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IFC Films Co-President & Indie Film Champion Jonathan Sehring To Step Down
EXCLUSIVE: Marking the end of a remarkable four decade run at its parent company, IFC Films co-president Jonathan Sehring is stepping down at year end. The decision is his, and he will take some time for himself, but retains the right to do other things in the indie film space where he has been an important figure for…
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Oscars: IFC Films Grows Up With ‘Boyhood’ Nomination
Throughout the years, IFC Films has always found a place at the Oscar table, scoring noms for such films as 2002’s My Big Fat Greek Wedding (original screenplay) and 2009’s In the Loop (adapted screenplay). The year is extra special, not only because the distributor racked up eight Oscar nominations this morning, but…
What Was I Thinking? IFC President Jonathan Sehring On Funding ‘Boyhood’ For 12 Years
An occasional feature on the thought process behind an exceptionally bold, risky move.
If they gave out Exec Of The Year, it would be hard to overlook IFC Films president Jonathan Sehring, who funded Richard Linklater's Boyhood for a dozen years. Even with the flurry of Oscar fare launched at the fall festivals, Boyh…
Oscars: Another Cannes-Winning Sundance Selects Film Ruled Out Of Foreign Language Race
When it comes to this year’s Foreign Language Film Oscar race, it seems Sundance Selects just can’t catch a break. Coming out of Cannes, the company headed by Jonathan Sehring — who also runs IFC — looked like it easily could have two of the five nominees in the category, especially after its acquisitions took two of…
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By Pete Hammond
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Oscars: Cannes Palme d’Or Winner Ineligible For Foreign Language Category
EXCLUSIVE: When controversial French sensation Blue Is The Warmest Color won the Cannes Film Festival Palme d’Or, it was expected to be a major player in the upcoming Oscar race for Best Foreign Language Film. Now it’s ineligible to compete and not even impassioned pleas from Sundance Selects, its American…
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By Pete Hammond
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