It shouldn’t have been too surprising that John Ottman won this year’s ACE Eddie for Best Edited Feature Film Drama for Bohemian Rhapsody. Equally it shouldn’t be at all shocking that he is nominated for his first Academy Award in Film Editing for that film. If anyone would know the challenge of turning around a…

EXCLUSIVE: The Editors Guild has joined the tsunami of protests over the Film Academy's decision to hand out four Oscars – including the one for Best Editing – during commercial breaks in the February 24 telecast on ABC. The Academy's decision, which also relegates cinematographers, makeup artists and hairstylists and…

UPDATED, 10:05 AM Thursday with more names added to open letter: The list of industry names who have signed on to an open letter to the Academy asking it to reverse its decision to change the way some categories are presented at the Oscars is growing. Roma‘s Alfonso Cuarón, George Clooney, Brad Pitt and Kerry…

Yorgos Lanthimos’ editor of almost two decades, Yorgos Mavropsaridis earned his first Oscar nomination for The Favourite, and is still working through the singular approach the director has devised for himself. In the case of Lanthimos’ first period piece—an 18th century black comedy set in Queen Anne’s court—the…

Two films about Brits of very different eras took the marquee trophies at the ACE Eddie Awards tonight as Bohemian Rhapsody and The Favourite took home the respective marquee prizes for Best Edited Feature Dramatic and Comedy. "I was expecting the worst, I was not prepared for this at all," Rhapsodyd editor John…

The American Cinema Editors is honoring its own tonight with the 69th annual ACE Eddie Awards in Los Angeles, and Deadline is live blogging it all. We’ll post the winners in all 11 categories as they’re announced and pass along quotes from their speeches as well as describing the atmosphere. Tom Kenny, who has voiced…

From his early collaborations with Oliver Stone on Natural Born Killers and Nixon, to his work with Terrence Malick (The New World, The Tree of Life, Song to Song), to his Oscar-nominated outings with Adam McKay, editor Hank Corwin has never shied away from a challenge, finding one of his biggest, as he sought to…

Bohemian Rhapsody, BlacKkKlansman, Roma and The Assassination of Gianni Versace are among the films and TV shows that can add another nomination to their 2019 tallies as the American Cinema Editors announced candidates today for the 69th Annual ACE Eddie Awards. ACE announced nominations to recognize outstanding editin…

Richard Marks, a film editor who scored four Oscar nominations during a prolific 50-year career and earned a Career Achievement Award from the American Cinema Editors, has died at 75. ACE executive director Jenni McCormack confirmed that Marks died December 31 but gave no other details. Marks earned his Best Film Editi…

Damien Chazelle’s go-to editor since the time when Whiplash was just a short, Oscar winner Tom Cross threw out the musical playbook for First Man, tapping into a documentary approach he honed early in his career and had long since left behind. Crafting a brutally immersive, subjective experience, which would document…

Spoiler Alert: This story alludes to crucial plot details from Barry Jenkins’ If Beale Street Could Talk. On Barry Jenkins' If Beale Street Could Talk—the Oscar winner's follow-up to Moonlight—editors Nat Sanders and Joi McMillon came up against an age-old question. With a narrative based on existing material—spoiled…

At Deadline’s The Contenders Los Angeles today, Annapurna Pictures showed off two dramas from their impressive awards-season slate, and a unifying concern emerged: The American Dream, and the ways it has changed over time. While members of the privileged class have bent it into a new, baser shape, for those less…