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Broadway Review: In Ayad Akhtar’s ‘Junk’, Barbarians Storm The Steel Gates
The image that greets us as we settle into our seats at the Vivian Beaumont Theater is a wall of numbers, divided into blocks, four over four, a grid with line after line of numbers. It’s the opposite of welcoming. It’s precisely where our minds tend to go when we’re told, It’s a story about finance. MEGO – you know…
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