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Latest in Crew Call Podcast

How Emmy-Nominated ‘Escape At Dannemora’ Composer Edward Shearmur Got Into Film Scoring Via Pink Floyd – Crew Call Podcast

Derek Waters Looks Back On Our Past — Not With Tall Tales, Just ‘Drunk History’: Crew Call Podcast

Phoebe Waller-Bridge On ‘Fleabag’ Season 2’s Holy Romance, Why Series Must End & The Future – Crew Call Podcast

Bill Hader: Once A PA On Dwayne Johnson & Arnold Schwarzenegger Pics, Now Action Director On ‘Barry’ – Crew Call Podcast

Multi-Emmy-Nominated Adam McKay Talks ‘Succession’, The Murdochs, Del Close & Why Comedies Are In A Drought At The B.O.: Crew Call Podcast

Composers Marco Beltrami & Brandon Roberts On Taking ‘Twilight Zone’ Into A New Musical Dimension – Crew Call Podcast

Alex Kurtzman On Rebuilding ‘Star Trek’ For The Next Generation, Directing ‘Discovery’ & Progress With ‘Picard’ – Crew Call Podcast

Making An ‘Escape At Dannemora’: Creators Brett Johnson & Michael Tolkin On Pulling Off Prison Break Series – Crew Call Podcast

‘When They See Us’: How Composer Kris Bowers Evoked The Fear, Pain & Innocence In Ava DuVernay’s Series – Crew Call Podcast

‘Deadwood: The Movie’: How Director Daniel Minahan Revived David Milch’s HBO Western 13 Years Later – Crew Call Podcast

How Steven Levenson & Joel Fields Brought All That Jazz To ‘Fosse/Verdon’ – Crew Call Podcast

‘Ray Donovan’ & ‘The Affair’ Composer Marcelo Zarvos On How Music Is ‘The Difference Between Great Acting & Melodrama’ – Crew Call Podcast

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