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Cinematography
‘The Alienist’ Cinematographer P.J. Dillon Captures The Elegance & The Seedy Underbelly Of Gilded Age New York
‘Transparent’ DP Jim Frohna On “Creating Space” Within Character-Driven Drama
‘Stranger Things’ Cinematographer Tim Ives On Shooting The Upside Down
‘Mr. Robot’ DP Tod Campbell On His Visual Approach To Sam Esmail’s Dark, Off-Kilter World
‘The Young Pope’ DP Luca Bigazzi Gives A Window Into A Collaboration “Made Up Of Few Words And Mutual Understanding”
‘Legion’ Cinematographer Dana Gonzales Discusses The Visual Influence Of The Series On ‘Fargo’s Third Season
‘Westworld’ DP Robert McLachlan Compares Series With ‘Game Of Thrones’: “Westworld’s Harder”
Emmy-Nominated Cinematographers Delight In Darkness
Fukunaga, Deakins & Lubezki Discuss Cinematography On ‘Beasts Of No Nation,’ ‘Sicario’ & ‘The Revenant’ – AwardsLine
‘Better Call Saul,’ ‘Bloodline’ and ‘Last Man On Earth’ Cinematography Inspired By Film’s Dark Side
‘Ida’ Cinematographer Lukasz Zal Stepped In At The 11th Hour And Got An Oscar Nom For His First Feature
