Latest in Broadway Review

A very busy Broadway season comes to a close with its final production, and Sam Gold’s staging of Macbeth starring Daniel Craig and Ruth Negga is nothing if not a dynamic attempt to cap an unusual and often extraordinary theater season. Uneven – if not so much as Gold’s 2019 King Lear with Glenda Jackson – and…

You might feel like you’ve already seen Mr. Saturday Night the musical even if you’ve never seen Mr. Saturday Night the movie, and whether you find that comforting – Billy Crystal certainly is one of the most likable presences in all of show business – or disappointing might depend entirely on your taste for…

Like some strange brew blend of VEEP, Noises Off and one of the late Charles Ludlam’s outrageously vulgar (and still sorely missed) Ridiculous Theatrical Company follies, Selina Fillinger's all-female, star-packed political satire POTUS: Or, Behind Every Great Dumbass are Seven Women Trying to Keep Him Alive is an…

Allow Usher, the central – only? – character of Michael R. Jackson's scathingly funny and Pulitzer Prize-winning musical A Strange Loop, to introduce himself. He is, he tells us, “a young overweight-to-obese homosexual and/or gay and/or queer, cisgender male, able-bodied university-and-graduate-school educated…

A Brontosaurus and a Woolly Mammoth taking up residence among the mid-century modern trappings of a middle-class New Jersey household will now and forever make a theatrical impact – that, at least, hasn’t changed since playwright Thornton Wilder’s days – but so much else has, not least of all the ability of The Skin of…

Smartly sidestepping the obvious comparison from the start – the line-reading of “Hello gorgeous” sounds more conversational, less sing-songy than the one etched in our brains for all these decades – Broadway’s new Funny Girl revival doesn’t so much make a grand play for replacement as a peaceful offering for…

Sneaky, menacing and funny are descriptions that come up more than once in Martin McDonagh's Hangmen, but not one of the three words quite does justice to this irresistibly pitch-black comedy, opening tonight at the Golden Theatre on Broadway. Then again, justice has very little to do with what goes on in this…

Director and choreographer Camille A. Brown and her cast of seven female singer-dancer-actors breathe life and vitality into Ntozake Shange’s still-potent mid-1970s touchstone for colored girls who have considered suicide/ when the rainbow is enuf. Opening tonight at the Booth Theatre on Broadway, Shange’s fantasia of…

In the 25 years since Mary-Louise Parker and David Morse first performed Paula Vogel’s Pulitzer Prize-winning play How I Learned To Drive, the name for the disturbing process that we witness being depicted on stage has long since entered widespread usage. If audiences can now readily label what happens as “grooming,&#8221…

Tracy Letts’ The Minutes would be one of the most thrilling new plays on Broadway this season even if recent real-life events hadn’t made it seem as uncanny as it is funny and, ultimately, disarming. The Minutes – there are a brisk 90 of them in all – begins as one thing and ends up quite another, and every step along…

Antoine de Saint-Exupéry's elegantly humble 1943 children’s novella The Little Prince is transformed into a visually spectacular, dramatically overblown meld of dance, music, video and, best of all, breathtaking aerial acrobatics in Anne Tournié’s international staging opening on Broadway tonight at the Broadway…

Birthday Candles, Noah Haidle’s Broadway dramedy starring Debra Messing as a woman who, over the course of the play’s 90 minutes ages from 17 to 107, has just about all the right ingredients for the poignant, funny and life-affirming experience it sets out to be. If everything doesn’t always come together just as it…