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‘Fighting With My Family’ Review: The Rock Uncovers Heartfelt, Offbeat And Crowd-Pleasing Story Of WWE’s Paige
‘What Men Want’ Review: Taraji P. Henson Switches Gender On Mel Gibson And Gets The Last Laugh(s)
‘Velvet Buzzsaw’ Review: Jake Gyllenhaal Takes On Creepy Art World And Kills It In Netflix Flick
‘The Kid Who Would Be King’ Review: A Junior ‘Camelot’ Strictly For Kids
‘Glass’ Review: M. Night Shyamalan’s Superhero Trilogy Concludes Not A Moment Too Soon
‘A Dog’s Way Home’ Review: Pitbull Star Triumphs Over Human Actors Kept On Short Leashes
The Show To Watch This Week: ‘True Detective’, ‘Deadly Class’, ‘Sex Education’ & ‘Trigger Warning’ Reviews
Pete Hammond’s Top 10 Movies Of 2018, Part I – Comedy, Drama, Politics, Romance, Reboots, Docus & Netflix In A Very Good Year
‘On The Basis Of Sex’ Review: Felicity Jones And Armie Hammer In A Lively Origin Story Of The Brilliant Ruth Bader Ginsburg
‘Stan & Ollie’ Review: Steve Coogan And John C. Reilly Deliver A Loving Tribute To The Great Laurel And Hardy
‘Welcome To Marwen’ Review: Steve Carell Is A Living Doll In Robert Zemeckis’ Odd Duck Of A Movie
‘Bumblebee’ Review: Toy-Driven Franchise Miraculously Transformed Just In Time For Holidays
‘Roma’ Review: Alfonso Cuarón’s Childhood Memories Become A Film Unlike Any Other This Year
The Show To Watch This Week: Review Of ‘Marvelous Mrs. Maisel’, ‘Memories Of The Alhambra’, ‘Berlin Station’ & ‘Nightflyers’
