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Latest in Animated Short
‘The Boy, The Mole, The Fox And The Horse’ Art Director Mike McCain On Evoking Mackesy’s “Fluid And Gestural” Art Style
As the animation team came together to adapt Charlie Mackesy’s 2019 book The Boy, the Mole, the Fox and the Horse, the challenge for art director Mike McCain was to recreate Mackesy’s artistic style in motion. The animated short follows a boy searching for a home. Along the way, he meets three animals who…
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By Ryan Fleming
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1 Comments Comment on ‘The Boy, The Mole, The Fox And The Horse’ Art Director Mike McCain On Evoking Mackesy’s “Fluid And Gestural” Art Style
‘Ice Merchants’ Director João Gonzalez & Producer Bruno Caetano On Working From The Subconscious
Like many of his other films, João Gonzalez's Ice Merchants began with an image from his subconscious. He imagined a tiny house attached to a cliff, and the ensuing animation and story excited his producer Bruno Caetano. The short follows a father and son living in a house attached to the side of a…
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By Ryan Fleming
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‘The Flying Sailor’ Filmmakers Amanda Forbis & Wendy Tilby On Blending Humor And “Poignancy”
Filmmakers Wendy Tilby and Amanda Forbis were inspired to make The Flying Sailor from a small blurb about a sailor they found while researching the Halifax explosion of 1917. As they were captivated by the flight aspect, their animated short takes a slowed down look at life flashing before a man's eyes…
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By Ryan Fleming
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‘An Ostrich Told Me The World Is Fake’ Director Lachlan Pendragon On Pushing Boundaries Of Stop-Motion For A “Ridiculously Meta” Animated Short
When Lachlan Pendragon was planning a research project for his doctorate program at Griffith Film School, he had no idea that his “ridiculously meta” take on stop-motion would end up with an Oscar nomination. His stop-motion animated short, An Ostrich Told Me The World is Fake And I Think I Believe it…
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By Ryan Fleming
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‘My Year of Dicks’ Filmmakers On Animating The “Overwhelming, All-Encompassing” Feeling Of Having A Crush
When Pamela Ribon set out to adapt her memoir into an animated short, producer Jeanette Jeanenne suggested director Sara Gunnarsdóttir to direct. This collaboration led to a comedic animated short that won awards at multiple festivals before finally receiving an Oscar nomination. My Year of Dicks, based…
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By Ryan Fleming
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How ‘The Boy, The Mole, The Fox And The Horse’ Creator Charlie Mackesy Brought His Book To Life Through Animation
For the animation of The Boy, the Mole, the Fox and the Horse, creator Charlie Mackesy was excited to bring his book to life and allow the story to affect people in a more “stimulating” way. The short follows a boy looking for a home. Along the way, he meets animals who are also looking for a place to…
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By Ryan Fleming
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‘The Garbage Man’ Filmmaker Laura Gonçalves On Honoring The Memory Of Her “Exuberant” Uncle
Filmmaker Laura Gonçalves had the idea for an animated short for a few years, stemming from discussions of her uncle whenever she sees her family at a reunion. The Garbage Man (O Homen do Lixo) takes place at the dinner table, as the family gathers to remember Uncle Botão, a garbage man who lived through…
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By Ryan Fleming
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‘Robin Robin’ Directors Dan Ojari And Mikey Please On Using Needle Felt Characters To “Push The Boundaries Of The Stop Motion Look”
For Robin Robin, directors Dan Ojari and Mikey Please looked towards animated Christmas specials as inspiration for their musical animated short.
Robin Robin follows Robin (Bronte Carmichael), a young bird raised by a family of mice after her egg rolls into a dump. As she grows up and the differences between her and…
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By Ryan Fleming
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How ‘The Windshield Wiper’ Filmmaker Alberto Mielgo Seeks The Answer To The Question Of “What Is Love?”
Using his self-taught artistic style of animation, Alberto Mielgo documents personal memories in an attempt to figure out the societal meaning of love in The Windshield Wiper. He asked friends and family what 'love' means to them, and their vastly different responses prompted him to ponder the question himself.
This…
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By Ryan Fleming
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Oscar Nominated Writer-Director Erick Oh On Using VR To “Describe The Circle Of Life” In ‘Namoo’
Inspired by the loss of his grandfather, writer-director Erick Oh takes a deeply personal story into the virtual reality space for Namoo. Coming off of an Oscar nomination for his last animated short Opera, Oh returns with an equally complex short filled with many discoveries.
Namoo, which is Korean for "tree," is a…
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By Ryan Fleming
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How ‘Memento Mori’ Director Paul O’Flanagan Played With A Graphic Novel Art Style To Address Guilt: “We’re Challenging Our Character’s Beliefs”
It's not often that animation uses elements of horror to tell a moral story. For director Paul O'Flanagan, Memento Mori was a way to bridge his interests of the macabre with a graphic novel art style and combine them into one animated short film. Inspired by graphic novel artists like Patric Reynolds, O'Flanagan…
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By Ryan Fleming
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‘Mind My Mind’ Director Floor Adams Offers Window Into Mind Of Autistic Man With Awards-Contending Animated Short
With her first animated short, Mind My Mind, Floor Adams hoped to offer a glimpse into the mind of a person living with autism, who relies on social scripts to make his way through the world.
A film about "how having a brain that is wired differently affects your social life, and particularly your love life," the…
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By Matt Grobar
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