Showrunners Wanted: Networks Grapple With Lack Of Experienced Writing Producers

panic-buttonIt is becoming an annual tradition: after pilots are shot and delivered, there is a scramble to find showrunners. More and more newly picked up series are in a need of a seasoned showrunner every year. Yesterday, NBC picked up four pilots to series. Half of them, dramas Allegiance and State Of Affairs, don’t have a showrunner. Similarly, Fox picked up three pilots to series and ordered 10 more episodes for comedy Mulaney. Of the four also half, drama Empire and comedy Mulaney, have required a showrunner hire. All four were were picked up to series without a showrunner locked in. Mulaney, which was ordered to series with a six-episode order in October, has since tapped veteran Jon Pollack for the job, working with creator-star John Mulaney. I hear Patrick Massett and John Zinman had been approached for Allegiance, written-directed by George Nolfi, Tom Szentgyorgyi is eyed for State Of Affairs if The Mentalist is cancelled, which appears likely, while the field for hip-hop drama Empire, written by Lee Daniels and Danny Strong and directed by Daniels, appears wide open. State Of Affairs has no writing producer on board after Alexi Hawley, who penned the original script, left, and Joe Carnahan, who received high marks for rewriting and directing the pilot, was only contracted for the pilot as he is busy with The Blacklist. Meanwhile, Empire and Allegiance hail from top feature auspices with no series background. Bringing fresh TV talent (Mulaney, Hawley) or feature talent (Daniels, Strong, Nolfi) to TV is to be applauded. It’s the lack of showrunner talent to support their vision that is alarming.

It’s not that yesterday’s series orders came as a surprise. All pilots that received pickups at Fox and NBC this week had been early favorites, with orders appearing all but certain weeks ago when the showrunner searches started. There just aren’t that many available showrunners to choose from for a match on a specific project. Why is that?

Industry insiders trace the problem back a decade ago when the studios cut back on staff writers, breaking the merit based system for growing writing producers. (more…)

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