“It seems to me the potential benefits of an editor’s early participation [in a project] could be creatively and fiscally significant,” notes Christopher Rouse, who is Oscar-nominated for Best Achievement in Editing for Captain Phillips. Director Paul Greengrass brought his regular collaborator Rouse in six months before the start of production as Billy Ray and he were still working on the script. “Paul believes [as I do] that editing is the natural extension of the writing process, and so it makes sense I would be involved at that point. Coming in early allows me to inhabit Paul’s vision fully, feed ideas into his creative process, and help him pre-empt issues that could arise during production or postproduction.” The result is a Best Picture-nominated film that continuously builds up tension the moment the blips began to appear on the ship’s radar screen indicating they are being tracked to the final gunfire with Somali pirates that frees a traumatized Phillips (Tom Hanks). Rouse brought home an ACE Eddie Award for the film just a couple of weeks ago.