Casey Affleck came clean to The New York Times today, admitting that his Joaquin Phoenix meltdown documentary I’m Still Here was in fact a phony piece of performance art. It seems amusing in hindsight that each time Deadline referred to the film in the past few months as a “mockumentary,” the filmmakers and distributor Magnolia Pictures became incensed. This revelation is about as shocking as when Vince McMahon revealed that professional wrestling bouts were prearranged. (more…)