ABC‘s Nashville started as a family soap set against the backdrop of the Nashville music scene that followed one star at her peak, Rayna (Connie Britton), and one on the rise, Juliette (Hayden Panettiere). The country music business was as major part of the tapestry of the show as the twists and turns in the characters’ personal relationship. But then gradually over the first season of the show, which had one of the strongest launches in fall 2012, the soapy content started to rise, a trend that continued this season when the series also moved away from the Rayna-Juliette storyline that was at the heart of the show early on to focus on peripheral characters. (Word is that there will be a course correction in the second half of the season, with Rayna and Juliette’s relationship, plus Chip Esten’s Deacon, taking center stage again.) There have been rumors about pressure from ABC to make the show soapier, with former Nashville music producer T Bone Burnett fanning flames last fall with comments in an interview about “a knockdown, bloody, drag-out fight” behind the scenes over making music drama versus soap opera, and that star Britton too wasn’t too fond of the show’s creative direction.
This article was printed from https://deadline.com/2014/01/nashvilles-calie-khouri-dee-johnson-connie-britton-on-shows-rising-soapiness-666845/