Since Kate Winslet was first nominated for her supporting role in Sense And Sensibility in 1995, she has been up for Oscars five more times, finally winning a statuette for 2008’s The Reader. But take a look at her four other Oscar-nominated turns — 1997’s Titanic, 2001’s Iris, 2004’s Eternal Sunshine Of The Spotless Mind and 2006’s Little Children — and you will find no discernible thread linking these performances. Each is truly unique and thoroughly Winslet, much like her current Golden Globe-nominated role in Jason Reitman’s Labor Day, in which she plays Adele, an agoraphobic single mom caught up in an unexpected and dangerous relationship with con on the run Frank (Josh Brolin). In some ways, the film is an old-fashioned romance like that “other” love story she did that was set aboard a sinking ship, and it once again proves Winslet is an actress who likes working without a net.
AwardsLine: How is Labor Day different from your last few roles?
Kate Winslet: I’m often drawn to characters that are more obviously one thing. They’re passionate, and there is always an element of strength because I think every person possesses that in some way, even if they’ve experienced hardship in their lives. I could see the challenge for me with (Adele) was that I didn’t want her to be just one thing. I didn’t want her to be just the shaky-handed person who didn’t like going outside. She is a woman who has a gigantic heart, and, certainly in her past, it beat much fuller and faster. I felt very strongly that through Frank and falling in love with him some of those sides of her would come back to life a little bit. (more…)