High profile awards contenders had big expansions over the weekend, easily dwarfing the roll outs of lower profile new comers this weekend. Fox Searchlight’s big Oscar hopeful 12 Years A Slave, Roadside/Lionsgate’s All Is Lost and Focus Features’ Dallas Buyers Club headed into more theaters and markets with mostly strong results. Searchlight moved 12 Years A Slave into 1,144 theaters, an increase of 734 from the previous week. It grossed $6.6 million in its 4th week of release, averaging $5,769 and placing 7th in the overall box office.
Roadside/Lionsgate’s All Is Lost, which had its U.S. debut earlier this month at the New York Film Festival, headed into 401 runs grossing over $1.2 million and averaging $3K. Last week, it grossed nearly $600K in 131 locations. Focus added 26 theaters for Dallas Buyers Club‘s second frame. The film starring Matthew McConaughey held nicely, grossing $629K, averaging almost $18K. Focus noted the film had a 61% increase from Friday to Saturday, which the company touted Sunday morning. “This bump far exceeds the 45% to 50% bump which is the norm for a roll-out,” said a Focus spokesperson. “This big bump on Saturday shows momentum with Saturday’s habitual adult – Boomer, Gen X and sophisticated younger patrons. For the second week in a row, the film over performed on Saturday. Clearly it is connecting with the core adult audience.” Focus added that increases also took place in last week’s theaters as well.
Among newcomers, Sony Classics’ The Armstrong Lie took the weekend’s highest PSA, though from a slight threshold. The Venice and Toronto documentary grossed $30,904, averaging $6,181. This is the second film to head to theaters this year from veteran filmmaker Alex Gibney, whose late May release We Steal Secrets: The Story Of Wikileaks averaged $6,922 when it bowed in 4 theaters. That film went on to gross over $166K in the U.S. SPC will expand The Armstrong Lie into several additional markets next weekend, while also adding runs in Los Angeles. (more…)