Christy Grosz is Editor of AwardsLine.
A film with no dialogue about a man adrift at sea doesn’t sound like a slam dunk of a project, but All Is Lost producers Neal Dodson and Anna Gerb say J.C. Chandor’s pitch piqued their interest immediately. The project also had two key elements giving it momentum: First, Robert Redford agreed to play the lead. (“Bob was the only person J.C. wanted to try to make the film with,” Dodson explains.) And second, Chandor’s first feature, Margin Call, earned an original screenplay Oscar nom close to the time All Is Lost needed financing. Despite production challenges, Dodson and Gerb say intense preparation and storyboarding paid off in the end.
AwardsLine: You also worked with J.C. Chandor on Margin Call — how did All Is Lost come to you?
Neal Dodson: Basically, J.C. had been writing secretly — he’s not a big sharer of stuff until he knows what he wants to do. He had been writing before the Sundance Film Festival (in 2011) and then right after Sundance, once he had first come in contact with (Robert Redford). At (the) Berlin (International Film Festival), when we were there for Margin Call, he pitched the movie to me, (Before the Door Pictures producer) Zach Quinto and (FilmNation Entertainment CEO) Glen Basner. (He wanted Basner’s) perspective on if he thought this was an insane idea or if he thought there was a place in the international world to get something like this financed.
Anna Gerb: Not even a month later, (Chandor) handed each of us a 31-page document for us to read.
Dodson: It was one of those things where you go, “OK, this is a great outline for what you’re looking to do, but let us know when you’ve written the script,” and it turns out that was the script.
Gerb: It was very detailed so you felt a feature-length, action-packed, adventure-filled film within it, even though it was a lot leaner than most of the scripts we traditionally see. (more…)