Contenders 2013: ‘Wolf Of Wall Street,’ ‘Nebraska,’ ‘Dallas Buyers Club,’ ‘Inside Llewyn Davis,’ ‘Fruitvale Station,’ ‘Lee Daniels’ The Butler,’ ‘August: Osage County,’ ‘All Is Lost,’ ‘Place Beyond The Pines,’ ‘12 Years A Slave,’ ‘Gravity’ & More Kick-Off Panels

Ray Richmond contributes to Deadline.

Deadline’s 3rd annual The Contenders event kicked off this morning at the shimmering new Wallis Annenberg Center For the Performing Arts in Beverly Hills, simultaneously launching the 2013 awards season precisely four months before the 86th Academy Awards. The spotlight fell on seven different studios/distributors and 22 films competing for awards consideration, with an overview of the Weinstein Company‘s impressive offerings getting things started in a highlight reel that felt like an Oscar contender in itself. An assortment of TWC writers, producers and directors were on hand to share anecdotes and tidbits with Deadline’s Pete Hammond, including Fruitvale Station director Ryan Coogler, Lee Daniels’ The Butler producer Pam Williams and writer Danny Strong, August: Osage County director John Wells, and the directors of the acclaimed documentaries 20 Feet From Stardom (Morgan Neville) and Salinger (Shane Salerno). Hammond quipped that TWC was so stocked with doc contenders this year that of the 151 eligible entries, “149 felt like they were from Weinstein.” Wells recalled how Osage County co-star Meryl Streep showed up to the first table read of ther script having memorized it and going off-book. “Everyone was like, ‘Wow’,” he recalled. “It was, ‘OK, game on’.”

Related: PHOTOS: Contenders 2013 Gallery

During a session promoting the Roadside/Lionsgate feature All is Lost starring Robert Redford in what the actor has called the most challenging role of his career, sound editors Richard Hymns and Steve Boeddeker marveled at how the film – with abundant action, a single star and minimal dialogue – was literally a sound editor’s dream. And during the following panel for the Focus Features hopefuls Dallas Buyers Club, The Place Beyond the Pines and We Steal Secrets, the morning theme of patience being a virtue came to the fore. Dallas Buyers Club producer Robbie Brenner calmly discussed how her film’s journey from script to screen spanned some 20 years – and nearly fell apart at the last minute when Canadian financing dried up. (more…)

This article was printed from https://deadline.com/2013/11/deadline-contenders-oscars-2013-wolf-of-wall-street-dallas-buyers-club-inside-llewyn-davis-626047/