It seems highly unlikely that films once thought since Cannes to be potential Best Picture Oscar contenders — The Weinstein Co’s Grace Of Monaco and The Immigrant, both highly touted in May — would have made the Academy’s final list, even if it goes for the full 10 nominees this year. And no one is missing them now that they’ve moved on.
The real “SHOCKER” as some breathless headlines stated yesterday, was the decision by George Clooney and Grant Heslov, who won the Best Picture Oscar just last year for Argo, to move their planned December release of the World War II thriller, Monuments Men to February. (That decision follows a similar path Martin Scorsese’s Shutter Island took a few years ago, a move that resulted in the film becoming Scorsese’s most successful ever at the box office.) As Clooney told my colleague Mike Fleming Jr. earlier today, he wasn’t in this for the Oscars and December was a good luck date where his Ocean’s Eleven and Ocean’s Twelve films had played. I had always heard from the beginning that Clooney wasn’t ever really looking at Men as an Academy Award play but rather a commercial picture — his Guns Of Navarone as he reiterated in the Fleming interview. In fact a top Sony source told me in the summer that Clooney had told them he wasn’t looking to campaign it (but the exec insisted they would cross that bridge when they came to it). Of course sometimes you can have both box office success and Oscar recognition.