Brian Brooks is a Deadline contributor.
The upcoming weekend will host a number of anticipated films from the recent festival circuit, some of which are likely eyeing an Oscar nomination or two. Robert Redford-starrer All Is Lost hits theaters after crowd-pleasing runs in Cannes and the recent New York Film Festival. Word of mouth helped propel the film when it debuted back in May in Cannes, despite its limited dialog. 12 Years A Slave has practically won the race according to some prognosticators. A debut at Telluride, Toronto and NYFF, the film should continue to see positive word of mouth, though may prove tough viewing for some. Daniel Radcliffe stars in Sundance and Venice debut Kill Your Darlings. The Harry Potter thespian breaks out from the franchise that made him huge in a leading role that launches him squarely into adulthood. Doc filmmaker Jehane Noujaim takes her latest onto the streets of Cairo during the country’s series of uprisings in The Square. The filmmaker and her team experienced arrest, interrogation and more creating the film which had standing ovations at TIFF and NYFF. The doc is part of a trio of non-fiction films utilizing various forms of DIY releases including Blood Brother and “Fantastical doc” Peaches Does Herself. And The Film Collective and Dada will bow drama Torn in a targeted roll out.
All Is Lost
Director-writer: J.C. Chandor
Cast: Robert Redford
Robert Redford won praises for his portrayal of a skipper aboard a pleasure craft sailing alone on the open sea. The film unfolds with little dialog, with Redford playing the only cast member “Our Man,” whose boat collides with a shipping container at sea, damaging his boat, forcing him to face mortality and the elements. “It’s a big weekend for us, it’s the first movie Roadside has been involved with as a production,” Roadside co-president Howard Cohen said. “J.C. handed us the script as [his previous film] Margin Call opened. We had released that film [with success] and liked the material.” They also liked Redford who was attached at that point. Margin Call had debuted at Sundance, but Chandor had already reached out to Redford for the “Our Man” part. The two met in Redford’s office in L.A. “When we met, I was already inclined. I just had to make sure he wasn’t nuts,” said Redford at the recent New York Film Festival. (more…)