Thomas J. McLean is an AwardsLine contributor.
While television visual-effects producers are far from immune to the same market forces that recently have rocked the film world, the serial nature of TV and its inherent short deadlines allow facilities and effects artists to find a satisfying and stable niche. “The predictability of the television season helps us,” says Andrew Orloff, co-owner and visual-effects supervisor of Zoic Studios, whose clients include TNT’s Emmy-nominated Falling Skies and ABC’s Once Upon A Time. “We built our business model on serving a bunch of different markets, and we’ve done pretty well.”
With shows going from shooting to air in two or three weeks, effects need to be done extremely quickly and to a high standard. “It can be a blessing and a curse,” says Mat Beck, president of Entity FX, which works on Emmy nominee Game Of Thrones, as well as Vampire Diaries, Mike & Molly and The Following. “What is hard is, you have to get stuff done crazy quickly. The blessing is you’re in a disciplined environment, timewise, and you have to zero in on the best solution.” (more…)