Brian Brooks is a Deadline contributor.
Paul Schrader‘s The Canyons is probably the most talked about film this year that relatively very few people have ever seen. There is some irony here given that the film uses the movie biz as a backdrop, but everything gets ensnared by a soap opera played out by the rich and beautiful, sound familiar? After its world premiere earlier this week in New York, the film is heading out to one big screen location before going to select runs elsewhere, but the film is most likely to be seen in a post-exhibitor world much like the filmmaker expects. Sundance 2013 comedy-drama The Spectacular Now culminates its long lead-up to release this weekend with a film that made it there through the steadfast will of its producers. Stand-up comedy makes its return to the big screen with When Comedy Went To School, a historical look look-back at the art. But unlike its “filthier” cousin, The Aristocrats, which came out in 2005 via now defunct ThinkFilm (and with big b.o. success), this one has a decidedly different angle. And French-language title Our Children joins the Specialty newcomers this weekend with a praised but dark drama along with The Artist And The Model set in the south of France.
Before the likes of Zach Braff and Spike Lee turned to Kickstarter, veteran filmmaker Paul Schrader launched a campaign on the crowd sourcing site for The Canyons after kicking in some of his own cash. It raised $160K for the project (the entire film is believed to cost around $250K), which seemed to almost instantly fascinate the media sphere from the New York Times (magazine) all the way through to the blogosphere both because of star Lindsay Lohan and her male counterpart, porn star James Deen. “We knew all along there would be a polarizing effect because of the sheer nature of Lindsay’s celebrity,” noted IFC Films president Jonathan Sehring. (more…)