Thomas J. McLean is an AwardsLine contributor.
For sound editors and mixers, the broadening of TV’s audio palette into feature-film territory requires a lot of work and plenty of tricks to get shows to sound as good as they look on tight budgets and even tighter schedules. “I spend quite a bit of time trying to find the right people who can do feature-quality work but not take feature time,” says Tim Kimmel, supervising sound editor on HBO’s epic fantasy series Game Of Thrones. With 10 hourlong episodes to complete in about five months and a tight schedule on the production pipeline, work often continues until the last minute. “By the time we finish mixing the show, we’re still waiting on final visual effects, so we will end up going back into episodes that were basically completed,” Kimmel explains. (more…)