Thomas J. McLean is an AwardsLine contributor
The film editing race is both diverse and expected. All five nominated films are also up for best picture, and the individual editors range from three-time Oscar winner Michael Kahn to several first-time nominees and one nominee, William Goldenberg, nominated for work on two separate films. We talked with the nominated editors and asked them to run through a key scene from their films—one that was crucial to making the picture work, either from a tone perspective or a more technical one. The results were as diverse as the nominated films themselves.
WILLIAM GOLDENBERG | ARGO
Goldenberg says Argo’s incongruous quality was epitomized in an often bizarre sequence that cuts from the elaborate table-read of the fake screenplay at the Beverly Hills Hotel to the houseguests trying to entertain themselves in their long isolation to Iranian forces frightening hostages at the U.S. Embassy in Iran with a mock execution.
“When I read the script, I thought this was a scene where if we can make this work tonally, the movie will work”, says Goldenberg. “Because it’s all these different tones colliding together, and if all these expositions can work as a scene, then I think what we’re trying to do with the movie will be successful”. (more…)