OSCARS: ‘Hobbit’ Production Design

Diane Haithman is an AwardsLine contributor

Production designer Dan Hennah—nominated for The Hobbit: An Unexpected Journey with set decorators Ra Vincent and Simon Bright—says that this set for hobbit Bilbo Baggins’ comfy parlor is one of few that did not require a CGI extension to accommodate both fantasy elements and the movie’s large band of characters, who tend to appear together in many scenes. And even the simplest of sets required finetuning to meet the demands of 3D. By phone from New Zealand, Hennah talked about this scene in which Bilbo (Martin Freeman) talks with Dwalin (Graham McTavish) as the dwarf slurps his way through Bilbo’s carefully hoarded food supply. 1) Bilbo’s parlor had to be built twice: Once in “hobbit scale” and once in a .76 “wizard scale” for Gandalf (Ian McKellen), so Gandalf would appear to be too tall for his surroundings, whereas for the hobbits it would be, as Goldilocks might have observed, “just right”. Hennah says the less dramatic difference in size between hobbits and dwarves was taken care of by casting: Most actors portraying dwarves are taller than Freeman. (more…)

This article was printed from https://deadline.com/2013/02/oscars-hobbit-production-design-is-about-bilbos-comfort-431575/