David Mermelstein is an AwardsLine contributor
Few stars can rival Jodie Foster’s durability. One has to go back to Hollywood’s golden age—to the likes of Judy Garland—to find those who even approach her successful transition from childhood roles to adult parts. And what other child actor started directing after accomplishing that transition? None. Which is why it’s fitting that the Hollywood Foreign Press Association is bestowing on Foster its highest honor, the Cecil B. DeMille Award.
Foster has been with us so long, it’s almost impossible to believe she’s just 50. Amazingly, it’s been 20 years since she won her second best-actress Oscar (for Silence Of The Lambs). Her first came three years earlier (for The Accused). But her first Academy Award nomination dates back to 1977, for Taxi Driver, in which she played a young teen prostitute, opposite Robert De Niro and Harvey Keitel.
“I’ve been doing this a long time,” Foster says with typical understatement during a recent phone interview. “And it feels like a long time, but it also feels great. I don’t remember ever starting. My earliest memories are doing commercials and TV. And here comes this celebration of my whole life. So now what? Hopefully there’s more to come.”
There no doubt will be for Foster, who continues to eye both acting and directing projects with an eagerness tempered by discernment. Yet she acknowledges a certain ambivalence regarding her career. “I don’t know if I have the personality for it,” she says. “I’m not sure if I’d not fallen into it, it’s what I’d have done. I mean this mostly as an actor rather than as a director, but I’m one for entirely different reasons from most people. It’s become a psychological evolution. I chose movies based on what I had to learn about myself, not because I had to act. There’s lots of things I’m not interested in, and I don’t want to play parts in those movies.” (more…)