Like the Producers Guild earlier this week, the WGA did not produce a list of film nominees in the Original Screenplay and Adapted Screenplay categories that had any surprises. This in itself is not surprising since the WGA (I’m a member) — due to restrictive rules regarding eligibility of films only produced under the guild’s MBA or certain international affiliated collective bargaining agreements — had far less of a field from which to choose. The number of screenplays eligible overall is slightly more than a third of all scripts the Academy’s much smaller voting body is picking from (polls for Oscar nomination voting close today at 5 PM). As usual, we can look for several differences when the Academy reveals their writing nominations January 10th. Although nominees often vary between the two orgs, the final winners are usually much more in sync. Last year, both WGA Award-winning scripts — Midnight In Paris and The Descendants — went on to repeat at the Oscars. In 2010 though, only WGA Adapted Screenplay winner The Social Network repeated at Oscar time, while the Oscar winner for Original Screenplay, The King’s Speech, wasn’t even nominated at the WGA because it was ineligible.