Paul Thomas Anderson is a genuine auteur, a writer/director who works when he wants, makes what he wants, and is considered now to be one of the film industry’s true talents. His list of films is small but significant: Hard Eight, Boogie Nights, and Magnolia to Punch Drunk Love, There Will Be Blood, and now The Master, just six films in 16 years but all winning wide critical acclaim. He has five Oscar nominations, mostly for screenplay, but he did score his first directing nod for There Will Be Blood. He hopes to continue the trend with The Master, though the film has polarized audiences, something that surprised Anderson but doesn’t necessarily disappoint him. How that translates into awards is anyone’s guess, but don’t say Paul Thomas Anderson is making movies you can easily dismiss.
AwardsLine: There have wildly different reactions to the movie. Is that something that you wanted?
Paul Thomas Anderson: It’s really interesting; it’s not something I expected. The final stretch of finishing a film, you find yourself in a kind of hypnosis that you made something that you understand and therefore everyone else will understand. And it’s an insane assumption, but it happens. And it’s temporary. I’m always surprised by the reactions, but this one in particular seems to have a real interesting messiness about people’s responses. I suppose the worst thing in the world would be pure ambivalence, and to have any attention paid to you is nice. Even if it’s negative. (more…)