Monica Corcoran Harel is contributing to Deadline’s Emmy coverage
Movie stars are not like you and me. But TV actresses? Not so far off. What always makes the red carpet at the Emmys so very appealing is the fact that some of these show ponies are short and maybe even a little stubby — in a good way. Seeing our favorite near mortals is actually enlightening and not just intimidating.
Take the nominated funny ladies. Tina Fey went regal and looked stunning in a deep burgundy strapless Vivienne Westwood column gown with an architectural bodice. Her tastefully teased upswept hairstyle lent a few inches to her frame and rendered her someone you wouldn’t dare disrespect. Amy Poehler — fresh off a break-up from her husband Will Arnett — smartly opted for sexy in a sequined Stella McCartney halter gown that proved she hasn’t been hibernating with vats of Haagen-Dazs. Kristen Wiig, bedecked in a creamy, diaphanous Balenciaga that contrasted with her newly raven hair, paired her dress with sandy suede pumps that made me wonder if she said, “Screw the pedicure” this morning and slept in. Um, who can’t relate to that eleventh-hour decision?
When it came to color trends, red, silver and blue easily won out. Nominee Mayim Bailik in Pamella Roland (looking like your favorite cousin at a wedding), voluptuous Kat Dennings in J. Mendel (looking more like your husband’s favorite cousin) and Gretchen Mol all chose variations on the hue. Lucy Liu, outfitted in a deco-inspired and armor-like metal Versace, claimed that her dress was “heavy.” I suspect her gown also reflected the merciless sun on anyone nearby with the intensity of a hair removal laser. Nominee Connie Britton — wearing a fabulous Andrew Gn gown with a halter trimmed in crystals and a chic belt — shone like a beacon of glamour for fortysomething women. Ditto for Jane Krakowski.
The ladies in blue category swept the farthest and widest though. Among them, the nominated Sofia Vergara, in a deep turquoise sequined Zuhair Murad gown with a back that showed off the dimples above her posterior, came out on top. That woman works a dress like a farmer works an ox! Hayden Panettiere’s sari-like blue tulle and embroidered gold brocade Marchesa gown felt like a bit too much fabric for such a young star, though it still stood out. (more…)