Ray Richmond is a Deadline contributor
This is a very good time to be Howard Gordon. At the same time he published his second novel in as many years — the acclaimed Hard Target, released in January — he’s the toast of television … again. Less than two years after serving as an executive producer on 24, he’s co-creator and exec producer of the first-year Showtime drama Homeland. The series just took home two Golden Globes — for top drama and lead drama series actress Claire Danes — as well as a pair of WGA Awards and the AFI honor for TV Program of the Year. All of that, plus Gordon is helping to ramp up the coming 24 feature and has another series premiering tonight at 10 on NBC: the midseason drama Awake starring Jason Isaacs. Gordon took time out from his insane schedule to speak with Deadline Hollywood about the insta-classic that is Homeland, how writing novels is different from crafting TV, and why he’s often mistaken for being a hardcore political conservative (blame his friend Joel Surnow).
DEADLINE: How is writing books different than writing for TV?
GORDON: When you’re writing a novel, you’re still telling a story. But you’re telling it very differently. It’s a craft like anything else. I’m still probably on the early part of the learning curve. I have a ways to go as a novelist. But what’s great is, well, I frankly enjoyed the solitude. And I enjoyed being able to tell characters what to say and do without negotiating with an actor. In a novel, the only budgetary limitations are that of your imagination. In a novel, the relationship between writer and reader is such a pure one. (more…)