Ray Richmond is contributing to Deadline’s 2011 Emmy coverage. Here’s his scorecard assessing the Outstanding Comedy Series race.
Ryan Murphy Prods w/ 20th Century Fox TV
Why It Was Nominated: Well, of course they had to nominate it. Love it or hate it, Glee remains the rare broadcast comedy that carries as much style as it does substance. It remained true even through a polarizing second season when the online community and critics consistently took the show to task for devolving into a parody of itself. Call it Sophomore Implosion Syndrome. But it’s still undeniably energetic and often imaginative.
Why It Has To Win: Unlike last year, it would be a monumental upset were Glee to take the prize this time. But the TV academy can surprise you. Voters are notorious for lagging a year or so behind the curve. While it’s something of an apples-and-oranges measure when compared with the rest of the category competition, Glee remains a technically flawless production, a fact that can’t be minimized at a time when series steeped in song and dance continue to pack ’em in.
Why It Can’t Possibly Win: It wasn’t just fans and critics fueling the Season 2 backlash. It’s also been the industry itself, directed at both the show and at showrunner Ryan Murphy for his perceived arrogance amid its charmed early life. One comedy producer also noted, “Between the 3D concert movie and the (Glee Project) series (on Oxygen) and everyone talking about it endlessly, they got annoyingly ubiquitous real fast. I mean, if Glee wins, the sound of retching will prove deafening.” That probably doesn’t bode well. (more…)