With the recent announcement of selections for this year’s Toronto International Film Festival, Rachel Weisz discovered she is going to be there with two films: The Deep Blue Sea and Fernando Meirelles’ ensembler 360. But it was her acclaimed performance in another Toronto film — from the 2010 fest — that she most wanted to discuss when I recently caught up with her.
After its 2010 Toronto premiere, buzz started on awards prospects for The Whistleblower star Weisz’s intense and emotional performance. But after the fest, filmmakers went back into editing and toned down the harrowing rape scenes and further shaped the movie, which finally gets released today through the Samuel Goldwyn Company, which hopes the awards buzz will pick up again, especially if the distributor can get any box office traction in a crowded marketplace for small movies like this one.
Although it received mixed reviews after its Toronto unveiling, there was near-unanimous praise for Weisz’s portrayal of real-life Nebraska cop Kathryn Bolkovac, who took a job as a peacekeeper in post-war Bosnia only to uncover a web of corruption, sex trafficking and United Nations cover-ups when she arrived there in 1999. The real story turned out to be too intense to show the way it really was. “In fact the rape scene was cut down after the Toronto screening by the studio, which I completely understand,” she says. “It would be just too harrowing for people to watch. What actually happened was so much worse. I mean the stories I could tell you from the first person who encountered these young women. That was the ‘light’ version if you can believe that. But it isn’t a documentary, you don’t want to destroy people. You just want to illuminate something that actually happened that was a hundred times worse.” (more…)