VES Awards: ‘Avengers: Infinity War’ Wins Top Prize; ‘Spider-Verse’ Sweeps Toon Categories; ‘Lost In Space’ Tops TV – Winners List
What master do you serve? Avengers: Infinity War took the VES Awards’ marquee prize for Visual Effects in a Photoreal Feature tonight at the Beverly Hilton. The 19th film in the Marvel Cinematic Universe and third in the multibillion-dollar Avengers series also won three other trophies en route to front-runner status for the Oscars this month.
Meanwhile, there was no drama on the big-screen toon side, as Spider-Man: Into the Spider-Verse went 4-for-4 tonight including… Read
VES Awards Live Blog: Follow The Visual Effect Society’s 17th Annual Gala Here
The 17th annual VES Awards are being handed out tonight at the Beverly Hilton in Los Angeles, and Deadline will be live-blogging the affair and updating the winners list live. Patton Oswalt is hosting the Visual Effects Society’s gala, which celebrates the best VFX artistry and innovation in film, animation, TV, commercials and video games across 24 categories.
The winner of the VES Award for Photoreal Feature has gone on to win the Visual Effects Oscar 10 of the 16 times… Read
VFX Supervisor Roger Guyett On The Thousands Of Character Models Crafted For ‘Ready Player One’
Between Saving Private Ryan and Ready Player One—the critically acclaimed adaptation of Ernest Cline's 2011 novel—VFX supervisor Roger Guyett has been along for the ride on two of the most demanding projects of Steven Spielberg's career.
An entirely different animal than the former picture—a 1998 war drama which won five Oscars—Ready Player Onewas "a really complicated movie to make." Containing close to 1500 digital effects shots, the film was crafted through a… Read
VES Awards Nominations: ‘Avengers’, ‘Lost In Space’ Lead Pack
The Visual Effects Society has revealed nominations for the 17th annual VES Awards, which will recognize the best VFX artistry and innovation in film, animation, TV, commercials and video games.
Disney/Marvel’s Avengers: Infinity Wars and Netflix’s Lost In Space lead the film and TV categories this year with six nominations, respectively. Disney/Pixar’s Incredibles 2 tops the animation field with five noms.
Winners will be announced during a ceremony February 5 at the… Read
‘Black Panther’ VFX Supervisor Geoffrey Baumann Brings Tactile Realism To Wakanda, Reflecting Africa’s Greatness
Before the game-changing Black Panther, visual effects supervisor Geoffrey Baumann had worked on a number of Marvel projects, supervising computer graphics and second unit work before earning his current title in this domain. A BAFTA nominee this year, shortlisted by AMPAs as well for Best Visual Effects, Baumann had one mandate from director Ryan Coogler, when it came to his first blockbuster: Above all else, Black Panthershould hold true to Africa.
Based on a superhero… Read
‘Game Of Thrones’ Creators David Benioff & D.B. Weiss Set For Career Honor At VES Awards
Winter is coming — tomorrow, in fact — and the duo behind HBO’s Game of Thrones is getting their due from the Visual Effects Society. The VFX group said today that David Benioff and D.B. Weiss will receive its VES Award for Creative Excellence at its 2019 trophy show.
VES says the honor “recognizes individuals who have made significant and lasting contributions to the art and science of the visual effects industry by uniquely and consistently creating compelling and… Read
Jonathan Nolan To Receive Visual Effects Society’s VES Visionary Award
The Visual Effects Society has selected writer-producer-director and Westworld co-creator Jonathan Nolan with its VES Visionary Award, to be bestowed at the 17th annual VES Awards on February 5 at the Beverly Hilton.
Nolan joins his brother and oft-collaborator Christopher Nolan, who was honored with the same award in 211. The Nolans teamed on 2000’s Memento, 2006’s The Prestige, two Dark Knight films and 2014’s Interstellar.
The VES Visionary Award recognizes “an… Read
Sony Gets Inventive, Seeks Patents For ‘Spider-Man: Into The Spider-Verse’ Animation Tech
EXCLUSIVE: Film critics have hailed the animation in Sony’s Spider-Man: Into the Spider-Verse as unique, innovative and undeniably inventive. Now the U.S. Patent & Trademark Office will judge whether they agree with those reviews.
Deadline has learned that Sony has applied for patent protection for the animation process and technologies used to produce Spider-Verse, the Columbia Pictures release that reaches theaters Thursday. The film has been winning strong reviews for… Read
Oscars: VFX Race Includes ‘Avengers’, ‘A Quiet Place’, More
The Academy of Motion Picture Arts and Sciences said Monday that 20 films are eligible for consideration in the Visual Effects category at the 91st Oscars. Nominations will be unveiled January 22.
Later this month, the Movie Academy’s Visual Effects Branch executive committee will select a shortlist of 10 films that will advance to nominations voting.
Last year, Warner Bros’ Blade Runner 2049 won in the category.
Here are this year’s eligible films, in alphabetical… Read
Richard Dreyfuss Says ‘Jaws’ Re-Release With CG Shark Upgrade Would Be “Huge”
Jaws co-star Richard Dreyfuss says the 1975 mega-hit could make an even bigger boatload of money if it was re-released today — all it would require is a digital-effects team and a killer makeover for the film’s infamously clunky mechanical shark.
“I think they should do it, it would be huge and it would open up the film to younger people,” Dreyfuss said when Deadline floated the idea. “Is that blasphemy? No, no, I don’t think so. The technology now could make the shark… Read
Visual Effects Society Names Its 2018 Hall Of Famers & Other Career Honorees
Star Trek patriarch Gene Roddenberry, Dynamation VFX pioneer Ray Harryhausen and film poster/title sequence legend Saul Bass are among the Visual Effect Society’s 2018 Hall of Fame class, the guild said today. It also named its other career honorees, including Gene Kozicki (Founders Award) and Jonathan Erland (Lifetime Membership).
"Our VES honorees represent a group of exceptional artists, innovators and professionals who have had a profound impact on the field of visual… Read
‘Stranger Things’ VFX Supervisors On Achieving Realism Through Their “Full Throttle” Workflow — Production Value Video Series
Watching Netflix's supernatural sensation Stranger Things, have you ever wondered how much work goes in behind the scenes on a series of its ilk, in which visual effects play such a prominent role? The answer, as you might expect, is: A lot.
"We have only one mode to work, and that's full throttle—give it everything you've got," Stranger Things VFX supervisor Paul Graff shares. "Any shot is an opportunity to learn something. What's wrong here? What can be better, and how… Read