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Latest Cannes News


Guy Pearce-Kylie Minogue Comedy ‘Flammable Children’ Sells To UK, France, Italy, Spain, More

EXCLUSIVEWestEnd Films has closed a raft of deals on Flammable Children (aka Swinging Safari) ahead of its international premiere at the Edinburgh Film Festival next month. The Australian comedy, written and directed by Stephan Elliott (The Adventures of Priscilla, Queen of the Desert), sold in Cannes to UK (Thunderbird), France (Swift), Italy (Lucky Red), Spain (Twelve Oaks), Switzerland (Frenetic), Scandinavia (Sandrew), the Middle East (ECS) and Russia… Read


‘The Expendables 4’ Muscles Up: Sylvester Stallone Action Pic & ‘Rambo 5’ Sell To China In Eight-Figure Co-Fi Deal

EXCLUSIVE: Chinese exhibition giant Dadi has pre-bought mainland China distribution rights to Sylvester Stallone-fronted action sequels The Expendables 4 and Rambo 5 from Avi Lerner’s Millenium Media. Production on both franchises has long-been subject to rumour, but according to sales and production outfit Millenium, which has backed all of The Expendables movies and the latest Rambo installment, Stallone will return for Rambo 5 in September 2018 and star in The Expendabl… Read


‘No Blood Was Shed’: Jury Head Cate Blanchett On Gender, Race And Choosing The ‘Right’ Palme D’Or  

With three films by female directors in the mix this year, speculation was rife that the Palme D'Or might finally go to a woman for the first time since Jane Campion made history 25 years ago with The Piano. Eva Husson's Les Filles Du Soleil took an early bath last week after a disastrous press screening; but Italy's Alice Rohrwach and Lebanon's Nadine Labaki – with Happy As Lazarus and Capernaum, respectively – both sustained buzz until awards night. As it was, both went… Read


Netflix Gets North Am, Latin Am Rights To Cannes Award-Winners ‘Happy As Lazzaro’ And ‘Girl’


Netflix has acquired the rights to Cannes Film Festival award-winners Happy As Lazzaro and Girl for North America and Latin America. Happy as Lazzaro premiered in competition and was awarded Best Screenplay for Alice Rohrwacher. The Camera d'Or for best first film was awarded to Lukas Dhont for Girl, which premiered in Un Certain Regard at the Cannes Film Festival and  was awarded Best Actor for Victor Polster, Happy as Lazzaro is the tale of a meeting between Lazzaro… Read


Jury Prize Winner Nadine Labaki’s ‘Capernaum’ Captures The Reality Of A Life in Hell For Lebanon’s Invisible Generation – Cannes Studio

Nadine Labaki's Capernaum premiered in Cannes on the final Thursday of the festival, the last of just three female filmmakers in a competition of 21 films. Though her previous two films, Caramel and Where Do We Go Now?, are both social dramas that deal directly with some of the issues facing her homeland, the Lebanese director's latest reaches a whole new level. Set on the streets in the country's poorest areas, it tells the story of Zain (Zain Al Rafeea), a little boy… Read


Japanese Director Hirokazu Kore-eda Returns To Exploring Family Dynamics In Surprise Palme D’Or Winner ‘Shoplifters’ – Cannes Studio

After flirting with genre in courtroom drama The Third Murder, which bowed at Venice last year, Japan's Hirokazu Kore-eda—a regular face at Cannes since the early 2000s—made a return to familiar ground, not to mention a quick turnaround, with his new film Shoplifters. Having said that, Shoplifters isn't quite what it appears at first glance: dealing with a family of petty criminals who live on the breadline, it slowly reveals its secrets, gradually building to a… Read


Asia Argento Tells Cannes That Festival Was Harvey Weinstein’s “Hunting Ground,” Warns Those Complicit

Joining jury member Ava DuVernay to present the Best Actress prize at the Cannes Film Festival closing ceremony this evening, Asia Argento sounded a warning to the audience. She began, “I was raped by Harvey Weinstein in Cannes in 1997. I was 21 years old. This festival was his hunting ground. I’m going to make a prediction: Harvey Weinstein will never be welcomed here again. He will never disgrace the community that once embraced him and covered up for his crimes.” She… Read


Cannes Buzz Films ‘Girls Of The Sun’ And ‘Ash Is Purest White’ Set For US Distribution By Cohen Media Group

Cohen Media Group has acquired US distribution rights to director Eva Husson’s Girls of the Sun, a drama focusing on the sisterhood of women taken prisoner by Kurdistan extremists, and director Jia Zhanqke’s Ash Is Purest White, a Chinese drama detailing a woman’s romance with a mobster. Charles S. Cohen, the owner, chairman, and CEO of Cohen Media Group, announced the CMG deals in advance of the closing ceremony of the 2018 Cannes Film Festival, where both films had… Read


Jaime Rosales Brings Greek Tragedy To Modern Cinema In Directors’ Fortnight Thriller ‘Petra’ – Cannes Studio

An early hit with festivalgoers who prefer to look outside the Official Selection, Jaime Rosales's Directors’ Fortnight entry Petra proved the Spanish director to be a fluid and unpredictable talent. Arguably most famous—or perhaps infamous—for the almost entirely dialogue-free 2008 Basque terrorist drama Bullet in the Head, Rosales this time presents a very subtle mystery-thriller. Sharing DNA with the work of his compatriot Pedro Almodóvar—not least because it features… Read


Cannes Winners: ‘Shoplifters’ Takes Palme D’Or; Spike Lee’s ‘BlacKkKlansman’ Is Grand Prize – Full List

UPDATE: Jane Campion is still the only woman to have won the Cannes Film Festival’s Palme d’Or. Although Nadine Labaki’s lauded Capernaum was a strong contender and scooped the Jury Prize tonight, it was Japanese veteran Hirokazu Kore-Eda who took the top honor with his family story Shoplifters. The Grand Prize went to Spike Lee’s triumphant return, BlacKkKlansman. In a ceremony that included a passionate Asia Argento calling out Harvey Weinstein, the proceedings finished… Read


Debra Granik On Bringing Sundance Hit ‘Leave No Trace’ To The Screen After An Eight-Year Hiatus – Cannes Studio

Making its international premiere in Directors’ Fortnight, Debra Granik's acclaimed Sundance title Leave No Trace left many veteran festivalgoers wondering why so many inferior films had managed to leapfrog it into the Official Selection. Told with great narrative economy, and featuring two sublime performances, the film charts the experiences of a teenage girl (talented newcomer Thomasin McKenzie), who grows tired of the peripatetic lifestyle she leads with her… Read


Deadline Studio at Cannes 2018 – Part 1 – Michael Shannon, Sofia Boutella, Mads Mikkelsen & More (PHOTOS)

Deadline's portrait and video studio at the Cannes Film Festival kicked off eight talent-filled days on the Croisette with visits by Arctic director Joe Penna and actors Mads Mikkelsen and Maria Thelma Smaradottir; Michael Shannon and Sofia Boutella from HBO’s Fahrenheit 451; and Tahar Rahim from Treat Me Like Fire. Also stopping by the studio for our series of photo sessions and video interviews taking place at VILLA AH were Tom Bernard of Sony Pictures Classics; Pope Fra… Read