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Peter Bart


Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary’s Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

More From Peter Bart

Peter Bart: British Monarchy Delivers On Crowd Appeal But Could Use Charisma Training & Financial Re-Think

Peter Bart: Hollywood Stars Get High Marks Returning To Fall Film Festivals And Hustling Their Wares

Peter Bart: How To Survive In Hollywood? Vintage Stars Reveal Rules Of Combat In Hefty New AFI Book

Peter Bart: Cable News Needs To Recruit New Anchors Amid Fears Centrist Hosts Won’t Fly

Peter Bart: For Actors, Emmy Season Highlights The Perils Of Walking The Woke Tightrope

Peter Bart: David Zaslav’s “Gap Year” Is Ending At A ‘Psycho’ Moment For The Entertainment Industry

Peter Bart: Podcasters Might Be The New Storytellers, But They Don’t Make For Very Good Stories

Peter Bart: Movie Debates Are Back As ‘Nope’, ‘Gray Man’ & ‘Crawdads’ Energize A Buzzworthy Summer Slate

Peter Bart: Movie Academy Members Weigh Policy Shifts That May Push Hollywood Back Into The Culture Wars

Peter Bart: Great Dealmakers Don’t Usually Make Great Movies, But They Could Learn From Hollywood’s Past

Peter Bart: Can Hollywood Make A Patriotic Movie Anymore?



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