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Matt Grobar

Assistant Editor, Awardsline

Matt contributes to the coverage and editing of all AwardsLine magazines throughout the year, focusing on artist interviews revolving around awards season and its big nights including the Oscars, Emmys and Golden Globes. Matt also manages the Production Value video series, which spotlights the premier craft talent working in film and TV. He also is part of Deadline's festival studio team at the likes of Sundance, Tribeca and Toronto. He previously worked at UTA, 8thDay Pictures and Infinity Management International.

More From Matt Grobar

‘Russian Doll’ Co-Creators Natasha Lyonne & Leslye Headland Discuss The Triumph Of 13 Emmy Nominations & The Status Of Season 2

Julia Louis-Dreyfus, Anna Chlumsky & Showrunner David Mandel Discuss ‘Veep’s Swan Song Emmy Noms & Leaving “The Satire Of This Decade” Behind

‘Nailed It!’ Breaks Into Emmys With Nom For Outstanding Competition Program As ‘Project Runway’ Streak Ends

Emmy Nominations Reactions: Rachel Brosnahan, Christina Applegate, Jared Harris, Ron Cephas Jones, More

‘True Detective’ Hair & Makeup Designers Take On Three Timelines And “Hyper-Realistic” Aging In Season 3

Composer Sean Callery Taps Into The Sound Of Ebola For ‘The Hot Zone’ — Production Value Video Series

‘Homecoming’ Editor Rosanne Tan Strives To Be “As Unconventional As Possible” In Her Approach To Retro Paranoid Thriller

Why ‘The Hot Zone’s Julianna Margulies & Topher Grace Were Drawn To The “Ultimate Horror Movie” Scenario – The Contenders Emmys Video

Director Michel Gondry On Crafting ‘Kidding’s Main Title Designs By Hand — Production Value Video Series

How ‘The Hot Zone’s Warning From History About The Ebola Crisis Made Its Way To Screens

‘Russian Doll’ Production Designer Michael Bricker On Honing Visual Rules For A Magical World

‘The Haunting Of Hill House’ DP Michael Fimognari Talks ‘Doctor Sleep’ & The Tracking Shots Of “Two Storms,” An Episode Designed To Look Like One Shot

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