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Matt Grobar

Assistant Editor, Awardsline

Matt contributes to the coverage and editing of all AwardsLine magazines throughout the year, focusing on artist interviews revolving around awards season and its big nights including the Oscars, Emmys and Golden Globes. Matt also manages the Production Value video series, which spotlights the premier craft talent working in film and TV. He also is part of Deadline's festival studio team at the likes of Sundance, Tribeca and Toronto. He previously worked at UTA, 8thDay Pictures and Infinity Management International.

More From Matt Grobar

‘Avengers: Engame’ VFX Supervisor Dan Deleeuw On Crafting Smart Hulk & De-Aging Michael Douglas For Marvel’s Latest

Cinematographer Robbie Ryan On “Privileged Space” Of ‘Marriage Story’ Set & Delivering Cinema Without Being Showy

Composer Cousins Thomas & Randy Newman On Competing For Best Original Score At 77th Golden Globes

First-Time Golden Globe Nominee Ben Platt Talks ‘The Politician’ Season 2, ‘Dear Evan Hansen’ Feature & Richard Linklater’s 20-Year Project ‘Merrily We Roll Along’

12-Year-Old ‘Jojo Rabbit’ Star Roman Griffin Davis Nabs Golden Globe Nomination With First Screen Performance

What ‘Jojo Rabbit’ Star Thomasin McKenzie Learned From Working With Unconventional Auteur Taika Waititi

Costume Designers Sandy Powell & Christopher Peterson On Origins Of Their Unique “Creative Marriage” & Navigating Sprawl Of ‘The Irishman’ — Production Value Video Series

Director Zabou Breitman Supports “Resistance” To Dictatorial Rule With First Animated Feature, ‘The Swallows Of Kabul’

The Art Of Craft: Ruth E. Carter Talks ‘Coming 2 America’ & ‘Dolemite Is My Name’ Costume Concepts

The Art Of Craft: How ‘Missing Link’s Key Creatives Brought A Yeti Temple, A Collapsing Ice Bridge & An Elephant Ride In Jungles Of India To Life For LAIKA’s Fifth Stop-Motion Feature

‘Joker’ Composer Hildur Guðnadóttir Describes Moment She Knew She’d Captured Voice Of Arthur Fleck: “It Was Almost Like Being Struck By Lightning”

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