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Joe Utichi

Editor, AwardsLine

Joe oversees Deadline’s print magazine for the Oscar and Emmy seasons, as well as its special “Disruptors” edition for the Cannes Film Festival. He has been with Deadline since 2012 and serves as emcee for Deadline’s The Contenders events. Prior to joining, his work regularly appeared in his native UK, for outlets including The Sunday Times and The Guardian. He has also worked extensively in film and television, producing EPK and production notes and serving as a unit publicist. He is a member of BAFTA and has sat on multiple juries for the BAFTA Film Awards.

More From Joe Utichi

Bruce Springsteen On Revealing Music Doc ‘Western Stars’: “It Was Very Intimate” – Toronto

Daniel Radcliffe’s ‘Guns Akimbo’ Brings Our Thirst For Violence Into The Twitch Era – Toronto Studio

Jason Segel Explores “Web Of Support And Need” Between Three Friends In Gabriela Cowperthwaite’s ‘The Friend’- Toronto Studio

Michael Angelo Covino & Kyle Marvin On The Rapid & Unexpected Ascent Of ‘The Climb’ – Toronto Studio

‘The Two Popes’ Is A Realization Of Anthony McCarten’s Deep Research Into The Two Living Pontiffs – Toronto Studio

Chris Evans Says Rian Johnson’s ‘Knives Out’ “Felt Right From The Jump” – Toronto Studio

‘The Laundromat’: Meryl Streep Warns An “Ugly Reckoning” Is Coming As Long As Financial Systems Remain Broken – Toronto Studio

Daniel Radcliffe On ‘Guns Akimbo’: It’s “Insane Action And Violence” Directed In A “Swanky, Pop-Art Way” – Toronto

Robert Pattinson: Locals Wanted To Keep ‘The Lighthouse’ Set In Place When Movie Wrapped – Toronto Studio

Adam Driver On The Urgent Need To “Exorcise” The Story Told By ‘The Report’ – Toronto Studio

Kristen Stewart On Jean Seberg’s Story As A Lesson For Today: “It’s So Bad Right Now. Our President’s The Most Racist Human Being” – Toronto Studio

After “Incredibly Challenging” ‘Assassin’s Creed’, Justin Kurzel Returns To His Roots With ‘True History Of The Kelly Gang’ – Toronto

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