David Lynch Refuses To Explain ‘Twin Peaks: The Return’: “Ideas Came, And This Is What They Presented”
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‘No Blood Was Shed’: Jury Head Cate Blanchett On Gender, Race And Choosing The ‘Right’ Palme D’Or
Jury Prize Winner Nadine Labaki’s ‘Capernaum’ Captures The Reality Of A Life in Hell For Lebanon’s Invisible Generation – Cannes Studio
Japanese Director Hirokazu Kore-eda Returns To Exploring Family Dynamics In Surprise Palme D’Or Winner ‘Shoplifters’ – Cannes Studio
Jaime Rosales Brings Greek Tragedy To Modern Cinema In Directors’ Fortnight Thriller ‘Petra’ – Cannes Studio
Debra Granik On Bringing Sundance Hit ‘Leave No Trace’ To The Screen After An Eight-Year Hiatus – Cannes Studio
Cannes 1968: The Year Jean-Luc Godard and François Truffaut Led Protests That Shut Down The Festival
‘Climax’ Director Gaspar Noé Shakes Up The Festival With A Heady Cocktail Of Sex, Drugs And Violence – Cannes Studio
‘Sink Or Swim’ Director Gilles Lellouche On Testing The Limits Of Comedy – Cannes Studio
After Seeing Her Gay Love Story ‘Rafiki’ Banned In Her Homeland, Kenyan Director Wanuri Kahiu Calls For Artistic Solidarity – Cannes Studio
‘Whitney’ Movie Bombshell Reveals Singer’s Childhood Abuse; Director Explains Decision To Name Abuser
‘Shéhérezade’ Director Jean-Bernard Marlin On Working With Marseilles Street Kids And The Need To Be Real – Cannes Studio
Pawel Pawlikowski On His Postwar Romance ‘Cold War’: “It’s A Matrix Of All Love Stories” — Cannes Studio
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