UPDATE, writethru: Disney/Pixar’s Onward topped the global and international box office chart this weekend, but came in vastly below projections. A $68M worldwide start includes just $28M from 47 material offshore markets. That’s well under the $40M-$55M range the industry was seeing ahead of the weekend. The spread of the coronavirus, and the fears that incites, are certainly factors here as is the challenge of launching new IP in a non-holiday corridor.
Reviews and audience reaction have been strongly positive for the Dan Scanlon-directed story of two teenage elves looking to spend one more day with their deceased father. However, the materials didn’t lend themselves to a clear campaign. That’s not down to the marketing team, as Anthony has noted, it was just what they were dealt. There’s also the fact that Onward skews a bit younger than the usual Pixar fare.
Cannes Film Festival Delays Until July
Once folks get out to the theater, they are having a memorable experience. Word of mouth is hoped for and should be good, but in an unknowable landscape that may not be enough. The rub is how much of an impact concerns over the coronavirus are having in deterring people to go to the cinema.
For the moment, we’re in an unquantifiable situation as things change on a daily basis — particularly overseas. All studios are concerned by this, and as one distribution exec said to us this week, “This cannot be helping any film in release right now.” Will that change with a mainstream tentpole? Disney’s Mulan is next (and likely when China is still closed) and after that, MGM/Eon/Universal’s James Bond flick No Time To Die was supposed to go, but this week pushed to the fall given the potential economic impact of the tenuous situation.
Onward did not open in the most affected majors of China (where essentially all screens are dark), Italy (which today locked down a swath of the north — restricting the movement of about 16M people) and Korea (now at more than 7300 cases and 50 deaths). But there is residual concern in other parts of Asia and Europe.
France, with 1,000 confirmed coronavirus cases and 19 deaths, has some cinema closures and may raise the alarm further in the next day. Streets and restaurants were busy in Aix-en-Provence on a beautiful Saturday this weekend, but even close friends refrained from extending the usual “bises” (cheek kisses), and there wasn’t much visible action at the local cinemas.
On Onward, Europe as a region saw a mix of impact incuding in France and the UK. But we understand that was not the case in Germany, Russia or Spain (the latter with over 580 cases reported and 13 deaths) where the performance was on par with expectations.
It is hard to say whether the fear of potential spread is making folks wary of congregating or whether it is the distraction of the news in general.
Looking more closely at the numbers, Onward bowed to No. 1s in the UK ($4.4M), France ($3.3M), Mexico ($3M), Spain ($1.9M) and Brazil ($1.1M); as well as Indonesia, Philippines, Singapore and others.
Overall, there were no other significant new film releases. A handful of holdovers are approaching milestones including Paramount’s Sonic The Hedgehog, which is closing in on $300M global. Disney/Fox’s The Call Of The Wild is about to cross $100M worldwide as is Universal/Blumhouse’s The Invisible Man (after only its 2nd frame). Sony’s Little Women is marching towards $100M international.
Next week, Sony rolls out Vin Diesel-starrer Bloodshot in several majors while Paramount has A Quiet Place Part II on deck for later this month and Disney preps for Mulan sans China at the end of March.
Breakdowns on this week’s films above and more have been updated below.
A mix of coronavirus and Onward not being the most compelling offering to get moviegoers out of their homes right now pulled this Pixar pic down to a $28M offshore opening in 47 material markets. As noted above, that’s off from where the industry expected it to land ahead of the weekend. The elvish tale has had strongly positive reactions, and word of mouth could help propel it forward, but with several markets seeing restrictions on congregating in public, a lack of regular school holidays and no new openings on deck, it could also be an uphill battle.
Onward did not roll into Italy, Korea or China this weekend — and may have to move its Italy date again from mid-April given the cordoning off of the country’s northern regions to April 3. It was also banned in multiple Middle Eastern markets due to the film’s minor reference to a lesbian relationship.
It did open to No. 1 globally and internationally as well as in several individual markets including the UK, France, Spain, Mexico, Brazil and Indonesia. In Germany and Russia it came in No. 2 behind local pictures.
The Top 5 markets are the UK ($4.4M), France ($3.3M), Mexico ($3M), Russia ($2.1M) and Spain ($1.9M).
THE INVISIBLE MAN
Universal/Blumhouse’s The Invisible Man appeared for his second frame this weekend, scaring up $17.3M in 65 markets. That brings the offshore cume to $45.6M and global to $98.3M. The thrifty thriller was new to Russia with $1.4M from 1200 cinemas at No. 4, followed by a No. 1 bow in Malaysia ($723K/148) and a No. 3 start in the Netherlands ($540K/89).
Holds were strong at an overall -32% after last weekend’s $20M+ start. In the UK, the drop was -24% for a $6.6M cume to date. Australia dipped 11% for a running total of $3.6M. In both markets the Elisabeth Moss-starrer has topped the lifetimes of Don’t Breathe and Lights Out. France ($4.1M) and Mexico ($4M) are also among the best performances. Japan is currently due to release in June.
SONIC THE HEDGEHOG
Paramount’s Sonic zoomed to another $12M this session, taking the international cume to $154.8M across 62 markets. Holds were good for the blue guy as he races towards $300M globally. The current top hubs include the UK ($23.9M), Mexico ($17.4M), France ($14.7M), Russia ($10.1M) and Brazil ($9.6M).
MISC UPDATED CUMES/NOTABLE
The Gentlemen (MIR): $4.9M intl weekend (48 markets); $74.4M intl cume ($110M global)
Call Of The Wild (DIS): $4.8M intl weekend (47 markets); $42.1M intl cume ($99.6M global)
Bad Boys For Life (SNY): $2.8M intl weekend (55 markets); $213M intl cume ($415M global)
Fantasy Island (SNY): $2.4M intl weekend (43 markets); $19.4M intl cume ($45.2M global)
Dolittle (UNI): $2.2M intl weekend (57 markets); $144.8M intl cume ($221.6M global)
Birds Of Prey (WB): $1.9M intl weekend (76 markets); $11.2M intl cume ($195.8M global)
Emma (UNI): $1.5M intl weekend (27 markets); $14M intl cume ($20.9M global)
*Kamen Byoto (WB): $1.4M intl weekend (Japan only)
Little Women (SNY): $1.1M intl weekend (52 markets); $97M intl cume ($205M global)
*The Way Back (WB): $640K intl weekend (14 markets); $640K intl cume ($9.1M global)
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