With Wonder Woman, female audiences finally had a superhero they could claim as their own. Diana Prince’s image easily sold the virtues of female empowerment and strength. When it came to Warners attracting women to Aquaman, it was all about the hunk factor in leading man Jason Momoa, not to mention selling the maternal and romance storylines of Nicole Kidman’s Atlanna character.
Warners’ marketing plan worked: Aquaman grossed $105.7M over the five-day holiday (including previews), winning females over in a big way with F25+ giving the DC superhero pic its best gender score of 84% on ComScore/Screen Engine’s PostTrak plus its best definite recommend of any gender demo at 71%. Moms turned out in greater numbers than Dads, 56% to 44% and enjoyed Aquaman more, 91% to 85%. Women also graded Aquaman with an A- CinemaScore, a number that was equal to men.
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Warners noticed early on in test screenings that the James Wan-directed feature played well with women who gave the pic a 90% score in the top two boxes. And even though the studio was building a four-quad event for the holiday season, completely sold on its own merits as a standalone DC film, the Warners marketing team led by Blair Rich, took a talent-led approach with Aquaman, leveraging Momoa as well as Kidman and star Amber Heard, who respectively play the two strong female characters at the heart of the film.
Similar to Gal Gadot with Wonder Woman, Momoa delivered a relentless passion in tub-thumping Aquaman, thus creating social media events. One of the biggest splashes two weeks prior to release was the Game of Thrones star performance of a ceremonial Māori Haka dance on the Aquaman Hollywood premiere red carpet. Social Media monitor RelishMix reports that the stunt was “the cherry on the sundae” of the pic’s marketing driving close to 6M YouTube views (across two videos) for “a social media campaign that was already pacing very well.” Overall, Aquaman counts over half billion followers on social media across YouTube, Instagram, Facebook and Twitter and what’s remarkable about that number is that it’s all organic, without any boosts from other DC-related properties such as Wonder Woman and Justice League.
Similar to how Warners infused a sense of humor into their marketing for Meg, they also had some fun with Aquaman, capitalizing on Momoa’s allure and initializing the social media trend #MOMSFORMOMOA. This was in response to Warners noticing a viral meme that grew among moms online: They yearned to take their kids –or anyone’s kids– to Aquaman as an excuse to see Momoa. As part of the stunt, mommy bloggers attended an advance screening at the Grove with a surprise appearance by Momoa, complete with t-shirts and schwag. Partners for the event included Bustle and IMomSoHard.
As early as San Diego Comic-Con 2017, Warners had unofficially crowned Momoa their Robert Downey, Jr. Much like that Iron Man actor would lead the charge into Hall H for Marvel’s annual mega movie panel, Momoa, fiery hair and all, was starting the for the studio at SDCC. At last July’s SDCC, Momoa kicked off Warner’s Aquaman campaign with a selfie-style video ocean cliff dive with a “Trailer Tomorrow” tease. The cast’s takeover of Hall H, which included a five-minute video and the pic’s first trailer; that package yielded an amazing 156M views in one week. Overall, per RelishMix, Aquaman official videos have churned out a huge viral rate of 60:1 well ahead of the superhero movie’s average 45:1. Per Warners, Aquaman saw record search results and social engagement due to their made-for-digital content strategy. Social volume grew double digits week over week starting in early November. In regards to search, Aquaman was 2x greater than such pics as Justice League, Venom, Wonder Woman and Thor: Ragnorak.
In another maneuver to pull in women, Kidman launched an “Aquamom” series as part of her premiere social take over on Bustle. While Momoa counts 8.1M Instagram followers, Kidman is “the social star” per RelishMix with 13.4M across Instagram and FB who has been sharing materials and talking up the film on talk shows.
Other marketing highlights for Aquaman which were targeted toward fanboy and four-quad crowds included early TV spots around SDCC and consistently since October on such programs as Conan at Comic-Con, CW DC Crossover, the Supergirl premiere, Arrow premiere, DC’s Legends of Tomorrow premiere, The Walking Dead finale, and the Gamers Choice Awards.
Overall, Aquaman counted 70 promotional partners worldwide, and 10 stateside, which fueled over $40M in promotional support. Of note, AT&T ran an in-theater ticket campaign at 10K screens nationwide over the last month and a half. Non-profit org Oceana ran a “Be an Ocean Hero” PSA TV spot featuring Patrick Wilson. Coldstone Creamery since the end of November featured custom film-inspired ice cream creations at over 1K locations with in-store signage. Meanwhile Burger King throughout December and into January has a worldwide kid’s meal program with six premiums in 90+ territories and 13K+ locations.
Coming away from the upset that fans and critics expressed over big DC pics Batman v. Superman and Justice League, it’s been a priority for Warner Bros. to evolve the DC cinema brand and that began earlier this year with the appointment of New Line horror exec Walter Hamada as the overseer of DC films. Hiring edgy storytellers like Patty Jenkins for Wonder Woman and its upcoming sequel, Conjuring architect James Wan on Aquaman, and now James Gunn to write and possibly direct the next Suicide Squad has been key for the Burbank lot. And given the global audience response to Aquaman this month, which counts close to $557M to date, you could say that Warner’s next phase of DC is off to a great start.
Says RelishMix about the current buzz for Aquaman online, “DC comics fans have been frustrated with previous movies in the series, with the exception of the beloved Wonder Woman. Fans are likening this Arthur Curry origin story to that film, saying that Aquaman is righting Warner Bros.’ DC ship.”
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