Spring is coming and the race is set for the Golden Gate Awards at the 58th San Francisco International Film Festival this year. Nine films will vie for the GGA Directors Prize for narrative feature: Iris Elezi’s Bota, Juan Francisco Olea’s El Cordero, Chaitanya Tamhane’s Court, Jamshid Mahmoudi’s A Few Cubic Meters Of Love (right), Diep Hoang Nguyen’s Flapping In The Middle Of Nowhere, Philippe Lacôte’s Run, Laura Bispuri’s Sworn Virgin, Myroslav Slaboshpytskiy’s The Tribe and Thomas Salvador’s Vincent. As one would expect from the birthplace of American Bohemia, the Bay Area competition prides itself on recognizing emerging artists and global cinema.
“The San Francisco Film Society is known for lots of things, but the significant financial support of emerging talent programs and our kick-ass Festival are two big ones,” SFFS’ Noah Cowan told me today. “We believe that exposing this important filmmaking talent and celebrating the very best of global cinema and in doing so truly exploring what is happening around the world and bringing those experiences home is essential to ensuring that this country continues to produce great films and filmmakers,” added the fest’s Executive Director.
And the prizes is a not-inconsiderable chunk of change if you are an indie filmmaker.
The GGA New Directors Prize winner will receive a cash prize of $10,000, the GGA Documentary Feature winner will receive $10,000, and the GGA Bay Area Documentary Feature winner will receive $5,000. The festival runs April 23 to May 7 in SF. The awards will be handed out May 6.
As we await the winners, here is the list of films competing:
2015 GGA NEW DIRECTORS PRIZE (NARRATIVE FEATURE) COMPETITION
Bota, Iris Elezi, Thomas Logoreci, Albania/Italy/Kosovo – North American Premiere
Populated by charming oddballs, quirky café/bar Bota (literally “the world” in Albanian) is a silent witness to the lives and secrets of people living in the shadow of the past. Long after the end of Albania’s harsh dictatorship, the locals’ lives have stagnated, most too poor to seize the opportunities liberty has offered them. But progress, in the form of a highway construction project, prompts change and new decisions for this very special café society.
El Cordero, Juan Francisco Olea, Chile
Domingo is a devoted family man and Christian missionary gliding through a dutifully modest if unexceptional life. He’d happily keep it that way, too, but for the fact that a fatal accident leaves him, disturbingly, without a sense of guilt. Shot through with a subtle, sardonic humor and beautifully acted, this exceptional feature debut is an engrossing dramatic thriller reverberating with deeper questions about our innermost natures and our ties to one another.
Court, Chaitanya Tamhane, India
Chaitanya Tamhane’s gorgeously recorded debut unfolds almost in slow motion. The film–a prizewinner at the Venice International Film Festival–concerns a criminal case in Mumbai’s lower court, tracing the private and professional lives of the lawyers, defendants and judges implicated in the proceedings. A patient examination of a less-than-functional and sometimes Kafkaesque justice system, Court succeeds as a human drama, raising questions about social structures while vividly painting the individuals who must navigate them.
A Few Cubic Meters of Love, Jamshid Mahmoudi, Iran/Afghanistan
An Afghan refugee and an Iranian metal-punch worker cultivate a clandestine relationship amid the corrugated-metal shacks of undocumented workers in an industrial suburb of Tehran. Like teenagers in love from time immemorial, they are convinced the world will bend to their dreams. A beautifully shot slice of contemporary neorealism, A Few Cubic Meters of Love was Afghanistan’s official submission for the Foreign Language Oscar.
Flapping in the Middle of Nowhere, Diep Hoang Nguyen, Vietnam/France/Germany/Norway
Vietnamese director Diep Hoang Nguyen’s debut feature is a sensuous and moody observation of a young student’s struggle to get an abortion in the tropical languor of the slums of Hanoi. Thuy Anh Nguyen finds the right balance of innocence and fortitude in the lead role, enduring prostitution, an immature boyfriend and the questionable wisdom of her roommate. While alluring and enchantingly unconventional, Nguyen’s film also tells some hard truths about coming of age in Vietnam.
Run, Philippe Lacôte, Ivory Coast/France
Masterfully blending enchanting magic realism with piercing sociological insights, Philippe Lacôte’s fleetly paced drama charts the unusual circumstances that set the seemingly directionless Run (Abdoul Karim Konate) on the path to becoming an assassin. The rich folklore and fractious politics of the Ivory Coast factor heavily in this picaresque fable that surprises at every turn and has seen Lacôte rightfully hailed as one of the most exciting new talents in African cinema.
Sworn Virgin, Laura Bispuri, Italy/Switzerland/Germany/Albania/Kosovo
A young Albanian woman, chafing against her culture’s strictures on women’s behavior, makes the decision to follow the local tradition of living as a man and takes the name Mark. Years later, questioning her choice, she leaves her remote village to join her sister in Italy. Stunningly shot and acted, this moving debut film carefully and precisely delineates its protagonist’s determination to discover who she really is.
The Tribe, Myroslav Slaboshpytskiy, Ukraine
A tour de force of pure expressive, explosive cinema, Myroslav Slaboshpytskiy’s one-of-a-kind drama recasts Lord of the Flies in a Ukrainian school for the deaf where violence and unforgiving social Darwinism speak louder than words. Telling its story completely through non-subtitled sign language, The Tribe is a stunning directorial debut and a unique, disturbing cinematic vision.
Vincent, Thomas Salvador, France
In this charming slice of magic realism, a quiet drifter finds a construction job in a small town and meets a friendly woman living in the neighborhood. Finally feeling the urge to settle down, Vincent’s newfound life is thrown into jeopardy when his unique power is revealed.
2015 GOLDEN GATE AWARDS DOCUMENTARY FEATURE COMPETITION
Beats of the Antonov, Hajooj Kuka, Sudan/South Africa – U.S. Premiere
Filmed in the civil war-ravaged region between South and North Sudan, Beats of the Antonov paints an inspiring portrait of the Blue Nile and Nuba Mountain refugee communities and their reliance on music making not only as a healing force in the face of devastating loss and displacement, but also as a vital instrument to keep their cultural heritage alive.
Democrats, Camilla Nielsson, Denmark
The Catch-22 of attempting a transition to democracy in Zimbabwe while its prior epoch’s autocratic tyrant, Robert Mugabe, still rules makes for riveting, stranger-than-fiction drama in Camilla Nielsson’s documentary. She focuses on two leaders tasked with drafting a new constitution for the country, a process rendered surreal at times by the secret police, false arrests and other intimidation tactics still in place from President Mugabe’s decades-old regime.
A German Youth, Jean-Gabriel Périot, France/Germany/Switzerland – U.S. Premiere
In the ‘60s and ‘70s, political upheaval wracked West Germany. The legacy of Nazi Germany caused a fervent youth movement to question the legitimacy of the State. From this resistance, rose the movement’s most lethal offshoot, the Baader-Meinhof Gang, as the media called it. Using only found and archival footage, director Jean-Gabriel Périot reveals their increasingly radical statements and actions.
The Iron Ministry, J.P. Sniadecki, China/USA
A thrillingly expansive portrait of China as observed in the cramped compartments of its trains, J.P. Sniadecki’s The Iron Ministry is simultaneously a vivid social document and a bold aesthetic experiment. Shot over three years and dozens of rides, the film seamlessly unfolds as a single voyage, Sniadecki’s indefatigable camera instigating several conversations along the way that may surprise audiences for their political candor.
Of Men and War, Laurent Bécue-Renard, France/Switzerland
Winner of the 2014 IDFA award for Best Feature Documentary, Of Men and War is director Laurent Bécue-Renard’s multiyear account of the residents of The Pathway Home, an innovative treatment center for PTSD and related war traumas in Yountville, California. This quietly intense film bears witness to Iraq and Afghanistan veterans as they revisit the brutalities of combat, process the traumatic memories that haunt them and search for meaning in the psychological wreckage of war.
Sunday Ball, Eryk Rocha, Brazil
This mesmerizing film captures the spirit of a championship soccer game between rival teams from Rio de Janeiro’s impoverished Sampaio neighborhood. More like a work of poetry than a traditional sports documentary, the film uses footage from various games to create an intimate portrait of favela football culture. Composed with luminous cinematography and exquisite sound design, the film takes us inside the match along with the players, and we experience something more like a deep spiritual quest than a game.
T-Rex, Drea Cooper, Zackary Canepari, USA
In the new Olympic sport of women’s boxing, 17-year-old Claressa Shields bursts out from the total obscurity of a small Flint, Michigan, gym to compete for a coveted gold medal. T-Rex beautifully captures her rapid ascent, her battle to overcome a damaged home life, the culturally ingrained bias against women’s boxing, the spellbinding thrill of her bouts and the indomitable willpower that shows, in its purest and most powerful sense, the meaning of warrior spirit.
Very Semi-Serious, Leah Wolchok, USA
San Francisco-based filmmaker Leah Wolchok’s highly entertaining behind-the-scenes documentary look at the world of The New Yorker’s cartoons and cartoonists brings to vivid life a beloved part of the magazine. Featuring insightful interviews with many of its most popular contributors (including Roz Chast and Bruce Eric Kaplan) and the department’s sagacious editor Bob Mankoff, meditations on humor and life and many dozens of cartoons, it’s unmissable for fans of the magazine and its sophisticated irreverence.
Western, Turner Ross, Bill Ross IV, USA
This intimate, observational documentary portrait of the US-Mexico border focuses on two Eagle Pass, TX, residents—cattleman Martin Wall and Mayor Chad Foster—and follows the strains in the border town’s relationship to its sister city, Piedras Negras, Mexico. As drug cartel violence moves into the region and threatens to spin out of control, U.S. Federal policies made a thousand miles away shut down commerce and further test an already delicate balance.
The Wolfpack, Crystal Moselle, USA
This Sundance Documentary Grand Jury Prize winner intimately focuses on the charming and insightful Angulo brothers who range in age from 16 to 24. Kept isolated within their family’s apartment, homeschooling, DVDs and fear of the outside world—epitomized by their bizarre reenactments of famous films—inform the brothers’ reality. When one brother sneaks away from home and eventually convinces his siblings to join him, their shared truth is threatened with endlessly surprising results.
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