Every year on this day we pay tribute to those who made The Dissed List, giving you a place to foam over:
The Good Wife. Neither the violent bumping off of Will Gardner (Josh Charles) in one of the TV season’s most buzzed about developments, nor the extremely aggressive For Your Consideration ad campaign, in which the show pointed out how easy is life for its competition with their 7-episode (Mad Men), 8-episode (Breaking Bad), and 12-13 episode (Homeland, House of Cards) seasons, compared to the grueling challenges of a CBS drama, appears not to have impressed the Academy in the best-drama category (though Charles and star Julianna Margulies are nommed).
The Walking Dead. Despite high hopes among its fan base that this would be the year AMC’s Dead broke out of the makeup and special effects nomination categories, the show instead will have to stagger along with its astounding demo ratings success — including a take-down of NFL football — but no Best Drama Emmy prestige.
Tatiana Maslany. After being snubbed by the TV Academy but showered with love by TV critics for her groundbreaking performance as not one, not two, but eight clones and counting, on BBC America’s Orphan Black, many industry navel lint gazers thought this would be the year the TV Academy finally got it right. They were wrong.
Duck Dynasty. When the TV Academy announced it had split the Best Reality Program derby into two categories this year — Structured and Unstructured – it gave four examples of series that had never won: eight-times a bridesmaid Antiques Roadshow, and four-time non-winner MythBusters would qualify in the Structured division, the academy said. And the org hinted to its members, by naming Duck Dynasty, and Pawn Stars as possible players in the Unstructured competition. This morning, Roadshow and Mythbusters picked up their usual noms. Duck Dynasty and Pawn Stars? Snubbed.
The Blacklist. Sure it’s the most CBS-ish primetime series that’s not actually on CBS, and Emmy nom voters don’t much like CBS dramas as a rule — but doesn’t’ the series get any credit for saving NBC?
James Spader. Nobody gives a big ol’ Emmy-targeting-episode speech like Spader – it’s won him three previous Best Drama Actor Emmys. But Spader could not overcome the fact he’s starring in a broadcast drama and the Academy these days is infatuated with drama actors on cable and streamed series. Adding to the poignancy, two of the Drama-Series Actor slots that might have gone to Spader instead went to the stars of HBO’s True Detective — actors who always said they were doing just one season and out, on the program that will have a new storyline each season, and some felt strongly should have been required to compete as a miniseries.
Burton and Taylor. Did academy members mistake this BBC America movie, in which Helena Bonham Carter and Dominic West played acting couple Richard Burton and Elizabeth Taylor as they prepare for a 1983 theatrical production, with that other Liz life movie starring Lindsay Lohan?
Andy Samberg. Samberg won for Best Performance by an Actor in a Television Series – Comedy or Musical at this year’s Golden Globes, for Brooklyn Nine-Nine. TV Academy members were not amused.
Jay Leno. Sure, he had to endure getting dumped — twice — from NBC’s Tonight Show. Sure he had to pretend – again – that he was proud to turn over his late-night desk to the younger guy. But now he has to watch Fallon get the nom during Jay’s last eligible year as show host? That’s the very definition of Emmy snub.
The Newsroom. No need to make room among the crowd of West Wing best-drama statuettes in Aaron Sorkin’s curio cabinet. Maybe the HBO show will catch an Academy last-season break next time around. There’s still time to write in an appearance by President Josiah Bartlet.
Homeland. Best Drama Series winner in 2012, Best Drama Writing winner in 2013, and the show’s Best-Actor winner of 2012, Damian Lewis got bumped off in mid-season, thereby semi-qualifying for the TV Academy’s weakness for TV series executions — and still, no Best-Drama nom this year for the Showtime series.
Michael Sheen. A Brit, with a film career, and a starring role in a cable TV series that’s medically-themed (kinda) – Sheen seemed like a good bet, to start a Hugh Laurie-esque run. But it was not to be.
Liev Schreiber. Critics hailed his understated, powerful performance on Showtime’s Ray Donovan, so Schreiber had looked to be a contender. Too ‘noir’ for the TV Academy – or too new?
The Americans. The Academy’s cold war against FX’s spys-among-us period drama continues, despite its Washington setting so in vogue these days on TV. The series got left out in its genre; stars Kerri Russell and Matthew Rhys also woke up to no noms .
Shameless. Showtime’s onetime Best Drama contender switched camps hoping it would have better luck competing as a comedy. “No dice,” responded the TV Academy this morning.
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