Foyle’s War has been greenlit for an eighth season, scheduled for release in 2015. Acorn Productions, ITV, and Eleventh Hour Films this morning announced another three-episode season, starring Michael Kitchen and Honeysuckle Weeks, and written by screenwriter Anthony Horowitz. No word from PBS as to whether it will pick up the new season of 3 X 120 episodes, on which filming is scheduled to begin in January. PBS ran the most recent three-episode season in September, as part of its Masterpiece Mystery franchise.

In 2010, Silver Spring, Md.-based Acorn, a company best known for its DVD releases of British crunchy-gravel dramas, announced it had bought the British franchise Foyle’s War from UK production indie Greenlit Rights, which had gone into so-called “administration.” It marked the first time Acorn had bought ownership rights to one of its British series. Foyle’s War had been one of Acorn’s top-selling franchises on DVD for many years, and had last aired on PBS in May of ’10. The original series was set during WWII in Hastings, on the south coast of England — starring Kitchen as methodical Det. Christopher Foyle, a widower who, assisted by his driver Samantha, catches criminals by taking advantage of the confusion created by the war.

In early ’12, Acorn announced Kitchen was returning for a new season of three episodes, which would advance to set storylines to the Cold War, with Foyle a Senior Intelligence Officer for the secret service-MI5.

The new season will explore powerful American and German industrialists, the latter from the chemical giant I G Farben, accused of fuelling Hitler’s War Machine, and reflect on the tangled web of promises to the Jews to create a state of Israel in British Palestine, Acorn said. In a recent email interview with the Associated Press, press-shy Kitchen said he signed on for the new post-war episodes because “there was not one good reason not to. It’s the case that, as a younger man, I’d sworn never to become a TV detective and although signing up for the show at the very beginning was never an issue, I couldn’t shift a lingering guilt for letting the younger guy down. So it’s a fact that I had suggested fairly early on…that moving the character into Intelligence (work) might be less confining than the obligation to a weekly Hastings murder. So, as far as this series is concerned, there was no decision to make. Happy and guilt-free with the move.”