Showtime has acquired exclusive TV rights to film and air the one-night only benefit concert, Another Day, Another Time: Celebrating the Music of Inside Llewyn Davis, inspired by music from the upcoming Coen Brothers’ film, Inside Llewyn Davis, set in the 1960’s Greenwich Village folk music scene. Not coincidentally, the film will be distributed by CBS Films in the U.S.; it begins its theatrical run on December 6.
Produced by the film’s writer and directors Joel and Ethan Coen, the film’s executive music producer T Bone Burnett and producer Scott Rudin, the star-studded concert reunites the trio behind O BROTHER, WHERE ART THOU? and the highly successful concert events launched in conjunction with that film. ANOTHER DAY, ANOTHER TIME: CELEBRATING THE MUSIC OF “INSIDE LLEWYN DAVIS” will feature live performances of the film’s music, as well as songs from the early 1960s that inspired the film. A portion of the proceeds from the concert will benefit the National Recording Preservation Foundation. The concert will take place at The Town Hall in New York City on Sunday, September 29, 2013, and SHOWTIME will air it nationally on Friday, December 13th at 9 PM ET/PT.
Artists performing at the concert include The Avett Brothers, Joan Baez, Rhiannon Giddens of Carolina Chocolate Drops, Lake Street Dive, Colin Meloy of The Decemberists, The Milk Carton Kids, Keb’ Mo’, Marcus Mumford, Bob Neuwirth, Conor Oberst, Punch Brothers, Dave Rawlings Machine, The Secret Sisters, Patti Smith, Gillian Welch, Willie Watson, and Jack White. Stars of the film will also perform at the event, including Oscar Isaac (who plays the title role in the film), Carey Mulligan, Adam Driver, Stark Sands and John Goodman. In addition to extensive concert footage, the documentary will feature behind-the-scenes material from the feature film, including rehearsals, and interviews with the filmmakers and cast.
INSIDE LLEWYN DAVIS follows a week in the life of a young folk singer as he navigates the Greenwich Village folk scene of 1961. Llewyn Davis (Oscar Isaac) is at a crossroads. Guitar in tow, huddled against the unforgiving New York winter, he is struggling to make it as a musician against seemingly insurmountable obstacles — some of them of his own making. Living at the mercy of both friends and strangers, scaring up what work he can find, Llewyn’s misadventures take him from the baskethouses of the Village to an empty Chicago club — on an odyssey to audition for a music mogul — and back again.
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