Thomas McLean is an AwardsLine contributor.
Nearly 10 years after The Lord Of The Rings trilogy wrapped its record-breaking run with a best picture Oscar and more than $3 billion in worldwide ticket sales, director Peter Jackson has done the last thing he expected: He got the band back together for The Hobbit: An Unexpected Journey. “I came away from Lord Of The Rings with 266 days of shooting three movies and thought I’d never do that again in my life,” says Jackson. “Then we sat down at the first production meeting on The Hobbit, and I flipped to the last page of the schedule, and it was 266 days! It was exactly the same length of time! And I just said, ‘I cannot believe I find myself back at this place again.’ ”
The first in a new trilogy adapting the first book in J.R.R. Tolkien’s classic Middle Earth mythology, Jackson and his crew’s steady hand on The Hobbit offers reassuring creative continuity while pushing the technical envelope by adding stereoscopic 3D and, most controversially, shooting at 48 frames per second.