Can 20th's Under-The-Radar Entry 'The Book Thief' Steal A Spot In The Oscar Race?

Could The Book Thief come out of nowhere to pull off a heist in this year’s Oscar race? While distributor 20th Century Fox seems to be putting most of its marbles on this weekend’s New York Film Festival launch of its big Christmas Day release, The Secret Life Of Walter Mitty, the studio has concurrently picked another festival, the lower-profile but respected 36-year-old Mill Valley Film Fest, to World Premiere its stealth entry into awards season. The Book Thief played to a huge standing ovation at its Thursday night unveiling on the Northern California fest’s opening night. Tonight co-star Geoffrey Rush will be the subject of a tribute there. Based on Markus Zusak’s No. 1 best-selling novel, the story set in Nazi Germany during World War II finds a young girl seeking refuge in the world of books while her family hides a young Jewish man in the basement of their modest German home. As they did earlier today with Mitty, Fox has had simultaneous screenings on their lot for bloggers and critics, which is where I caught it yesterday.

To be honest this one has totally flown under the radar for me. A Fox 2000 production, it is the rare serious family drama going out through a major studio, and the even rarer non-animated film the whole family can — and should — see. Fox may think it has bigger fish to fry in the Oscar race, but this one could be a real sleeper. I see definite Academy appeal in this story (beautifully directed by first-time feature filmmaker Brian Percival of Downton Abbey) if Fox campaigns it smartly and gets it seen. It has hired publicity firm 42 West to aid in the cause. This kind of quality non-star-driven serious drama is usually more the fodder of Fox’s specialty division Searchlight or a Sony Classics. But last year Fox 2000 produced challenging material with another beloved book, Life Of Pi, and delivered stellar results — both awards-wise and at the box office.

In addition to another Oscar-worthy performance from Rush (he already has one for 1996’s Shine) playing an ordinary German father who has not yet bought into the Nazi regime, there is a fine turn from the ever-reliable Emily Watson and a breakout leading role for Canadian actress Sophie Nelisse as the title star. Coming from the studio that found a lot of awards success in 1959 with another Nazi horror story about a young girl and a book called The Diary Of Anne Frank, this one is equally moving and memorable. Originally it was thought to be planned for 2014, but apparently Fox took a look and decided to move it into primetime for awards flicks with a November release.

“We only wrapped on it in May or June (on location in Germany), and John Williams is still tweaking the score, but it played beautifully here on Thursday night at the official premiere,” Rush told me earlier today before his Mill Valley tribute. “I hadn’t seen any of it apart from a little bit during looping, so it’s always a little exciting and unnerving at the same time. You have 600 strangers sitting around, and you can gauge that their level of involvement was very, very nice. It got a standing ovation, and I’m told that is not part of the Mill Valley norm. Sometimes people leap to their feet in certain contexts or Broadway — it’s part of the ritual — but they said, ‘No, that’s a really deserved accolade.’ It was exciting for us.” Ironically, Rush had missed the Sundance debut of his Oscar winner Shine 17 years ago and caught it for the first time when it played Mill Valley. That worked out OK, so maybe this is a good-luck fest for him.

Rush hadn’t read the book, despite the fact the author is a fellow Australian. But he did after getting the call and found it to be an astonishing piece of literature. His 19-year-old daughter and her friends had all read it and told him it changed their lives, so he thinks the film should have great appeal for younger audiences, more than usual for this type of film. “It’s good that such difficult and complex subject matter has that appeal for a younger generation. It’s a pretty powerful journey; it doesn’t pull any punches on the first page of the novel or the screenplay,” Rush said about the challenging material. But he’s hopeful the studio will find a way to get an audience for it. “I think Fox 2000 — I don’t quite know what their charter is. They did The Devil Wears Prada, then Life Of Pi and now this. I can’t quite pick up the house style. I think they are very excited, though, by what they’ve got. And we’re loving now that it’s out and people are going to get a chance to see it.”

A big plus is the score by 48-time Oscar nominee and 5-time winner John Williams. It likely will bring him his 49th nomination. He does very few scores now outside of work with Steven Spielberg or the occasional blockbuster. But Rush tells me this is a job the composer actually sought himself. “I think I am right in saying that he contacted the producers and said, ‘I read this book and I know you are making a film, and I would really like to write the music for it.’ So I think they took that as a plus,” he said.

Rush, who was most recently Oscar-nominated for his role in the Best Picture winner The King’s Speech (which also had a sneak attack on the 2010 race), is no stranger to festivals or the pace of an awards season. He flew in from Sydney on Thursday and goes back Sunday — a quick trip, but he wanted to be there for the World Premiere of this one. And his tribute. “It should be nice. They told me they have put together a ‘sizzler’ for the tribute, that’s a word I’ve never heard. I hope they don’t throw a steak at me,” he laughed.

  1. Craig Maizin is baffled why so many talented people struggle to get things made.
    Here is your answer Craig:
    You have crap like Runner Runner taking up the slot of real talent. That’s why Craig you numnut. Now go kiss their asses.

  2. This is Brian Perceval’s second feature film, after 2009’s “A Boy Called Dad,” according to IMDb.

  3. A WWII movie about outwitting the Nazis, featuring heroic gentiles and Jews?

    Of course it’ll get an Oscar nod. Such movies are catnip for the Academy.

    1. With all due respect, this is a beautifully tragic piece of literature about hope and resilience. It is far from a film about ‘outwitting the Nazis’ (if only it were though!). Do give the book a read even if the concept of the movie does not appeal to you – you may be pleasantly surprised!

  4. I remember being profoundly moved and entertained by this book when I read it years ago. I’m so glad the adaptation seems to be doing it justice! I can’t wait to see it for myself, and I’m glad it’s appropriate for families without dumbing itself down for the kids.

  5. Someone should point out that it was Riley Kathryn Ellis (Fox’s former book scout) who championed the acquisition of this novel several years ago. Excellent book.

  6. The movie might be OK, but the trailer is positively dreadful.
    And who’s idea was it to bring back the risible old “In a World…”-style voiceover?
    I could barely suppress the giggles when I saw this before “Captain Phillips” (a crushing disappointment btw) this weekend.

  7. I don’t know about you, but if this movie is “family friendly” or “a movie the whole family can see,” it won’t have done the book justice, and it won’t be worth going to.

  8. Mr. Rush is quite the gentleman and raconteur. Had the pleasure of watching his other new film, The Best Offer, today. Wonderful. Also was the person editing the “sizzle” reel for him at the Mill Valley Film Festival. He was great to work with. Too bad he was in for such a short time. Would have liked to have had longer bits of conversation with him.

  9. ‘The Book Thief’ is not ‘Saving Private Ryan’ or ‘Shindler’s List’ but it is beautiful. I haven’t read the book and my mom says the book is better. Books always are. However I was blown away by Sophie Nélisse in the role of Leisel and think she is deserving of an Oscar nomination. Her supporting cast are just as brilliant and equally deserving. This movie should not be taking lightly as I believe it has more weight than ‘Gravity’.

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