OSCARS: Crafts Categories Get Some Love With Web Series

Related: OSCARS: 85th Academy Award Nominations

The six-part video series Behind The Ballot that launched today on Oscar.com features panels of experts breaking down what Oscar voters look for in contenders for Production Design, Cinematography, Makeup & Hairstyling, Film Editing, Sound Editing, Sound Mixing and Costume Design. In the seemingly endless chatter about the marquee categories during an awards season that seems to get longer every year, it’s a refreshing initiative that shines a light on the behind-the-scenes folks that form the backbone of the year’s best movies. A new video will debut each week — the lead-off panel is Cinematography, which features a chat with DPs Daryn Okada, Theo van de Sande and Mandy Walker (check it out below). Here’s the full lineup announced today by the Academy:

Production Design:
Scott Chambliss, “Cowboys & Aliens,” “Star Trek,” “Mission: Impossible III”
Alex McDowell, “Charlie and the Chocolate Factory,” “Minority Report,” “Fight Club”
Jeannine Oppewall, “Catch Me If You Can,” “Pleasantville,” “L.A. Confidential”
Bo Welch, “Men in Black,” “Batman Returns,” “Edward Scissorhands”

Makeup and Hairstyling:
Cydney Cornell, “The Artist,” “The Aviator,” “American Beauty”
Mike Elizalde, “Hellboy II: The Golden Army,” “Fantastic Four,” “Men in Black”
Beth Miller, “Mr. and Mrs. Smith,” “The Nutty Professor,” “Dances with Wolves,”
Christien Tinsley, “No Country for Old Men,” “The Passion of the Christ,” “Ocean’s Eleven”

Film Editing:
Mark Goldblatt, “X-Men The Last Stand,” “Armageddon,” “The Terminator”
Virginia Katz, “The Twilight Saga: Breaking Dawn Part 1,” “Dreamgirls,” “Kinsey”
Lynzee Klingman, “Man on the Moon,” “City of Angels,” “One Flew over the Cuckoo’s Nest”
Pamela Martin, “Hitchcock,” “The Fighter,” “Little Miss Sunshine”

Cinematography:
Daryn Okada, “American Reunion,” “Baby Mama,” “Mean Girls”
Theo van de Sande, “Cruel Intentions,” “Blade,” “Wayne’s World”
Mandy Walker, “Red Riding Hood,” “Australia,” “Shattered Glass”

Costume Design:
Jeffrey Kurland, “Inception,” “Ocean’s Eleven,” “Erin Brockovich”
Isis Mussenden, “The Chronicles of Narnia: The Voyage of the Dawn Treader,” “Shrek 2,”
“American Psycho”
Arianne Phillips, “W.E.,” “3:10 to Yuma,” “Walk the Line”
Mary Zophres, “True Grit,” “No Country for Old Men,” “The Big Lebowski”

Sound Editing and Sound Mixing:
Willie D. Burton, “Dreamgirls,” “Panic Room,” “The Shawshank Redemption”
Steve Cantamessa, “Tropic Thunder,” “Mr. and Mrs. Smith,” “Ray”
Aaron Glascock, “The Town,” “Good Night, and Good Luck.,” “Ocean’s Eleven”
Mark Mangini, “Warrior,” “The Fifth Element,” “Die Hard with a Vengeance”
Dean Zupancic, “Tangled,” “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe,”
“Pulp Fiction”

  1. Sad not to see one comment applauding this concept, or for that matter, no comments at all. Actually checked out the piece on cinematography. Not exactly gripping.

    Also, it is interesting that per VES almost all of the top grossing films have been visual effects driven, hence, putting visual effects on the top of the list for film success. Apparently, this has not yet reached the Academy or they don’t care as visual effects (one of the most complex elements of production) is notably absent.

    Not to worry, no one commented but me, and no one will probably even read this.

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