Oscars Winners List 2012: 'The Artist', Meryl Streep, Jean Dujardin, Michel Hazanavicius, 'Midnight In Paris', 'The Descendants,' 'The Muppets', Christopher Plummer, 'Rango', 'Hugo', Octavia Spencer

OSCARS: The Good, The Bad And The Uggie — Hammond Analysis
Nikki Finke: Live-Snarking The Oscars
OSCARS: Who Wore What On The Red Carpet
OSCARS: Wins By Studio
OSCARS: Wins By Film
Backstage At The Academy Awards

Best Picture
The Artist” (The Weinstein Company)
A La Petite Reine/Studio 37/La Classe Américaine/JD Prod/France3 Cinéma/Jouror Productions/uFilm Production, Thomas Langmann, Producer

Actress in a Leading Role
Meryl Streep
“The Iron Lady” (The Weinstein Company)

Actor in a Leading Role
Jean Dujardin
“The Artist” (The Weinstein Company)

Directing
Michel Hazanavicius
“The Artist” (The Weinstein Company)

Short Film (Animated)
“The Fantastic Flying Books of Mr. Morris Lessmore”
A Moonbot Studios LA Production, William Joyce and Brandon Oldenburg

Documentary (Short Subject)
“Saving Face”
A Milkhaus/Jungefilm Production, Daniel Junge and Sharmeen Obaid-Chinoy

Short Film (Live Action)
“The Shore”
An All Ashore Production, Terry George and Oorlagh George

Screenplay (Original)
“Midnight in Paris” (Sony Pictures Classics)
Written by Woody Allen

Screenplay (Adapted)
“The Descendants” (Fox Searchlight)
Screenplay by Alexander Payne and Nat Faxon & Jim Rash

Music (Original Song)
“Man or Muppet” from “The Muppets” (Walt Disney) Music and Lyric by Bret McKenzie

Music (Original Score)
“The Artist” (The Weinstein Company)
Ludovic Bource

Actor in a Supporting Role
Christopher Plummer in “Beginners” (Focus Features)

Visual Effects
“Hugo” (Paramount)
Rob Legato, Joss Williams, Ben Grossmann and Alex Henning

Animated Feature Film
“Rango” (Paramount)
Gore Verbinski

Documentary (Feature)
“Undefeated” (The Weinstein Company)
A Spitfire Pictures Production, TJ Martin, Dan Lindsay and Richard Middlemas

Sound Mixing
“Hugo” (Paramount)
Tom Fleischman and John Midgley

Sound Editing
“Hugo” (Paramount)
Philip Stockton and Eugene Gearty

Film Editing
“The Girl with the Dragon Tattoo” (Sony)
Kirk Baxter and Angus Wall

Actress in a Supporting Role
Octavia Spencer in “The Help” (Touchstone)

Foreign Language Film
“A Separation” (Sony Pictures Classics)
A Dreamlab Films Production 
Iran

Makeup
“The Iron Lady” (The Weinstein Company)
Mark Coulier and J. Roy Helland

Costume Design
“The Artist” (The Weinstein Company)
Mark Bridges

Art Direction
“Hugo” (Paramount)
Production Design: Dante Ferretti; Set Decoration: Francesca Lo Schiavo

Cinematography
“Hugo” (Paramount)
Robert Richardson

  1. I’m in China and unable to see the Oscars, but am thrilled to read Nikki’s “snarky” comments. I didn’t have to waste time watching the show, and probably laughed more. Thanks Nikki from China:)

  2. I did not watch the show. Will never watch the Oscars again and have not for the past 6 years. Logged on to check my e-mails thought I would read the dirt. The Artist is a fantastic film. Along with Hugo and my personal fave Midnight in Paris the 3 most enjoyable films of 2011. Hollywood continues to release the same old crap and theses 3 amazing films reminded us that you can relive the past. Hollywood needs a reboot in 2012. As for Meryl Streep…about friggin’ time she gets another. The woman is a Hollywood treasure. But Christopher Plummer gave the best performance by an actor last year…PERIOD. Still, I did not miss the show. My Oscar night is celebrating the films Oscar snubbed in the past. Just watched Louis Malle’s masterpiece Au Revoir Les Enfants which lost to the so-so Babette’s Feast in 1988.

    1. I’m all in with you about those three films, not watching the oscars, and Meryl Streep! Viola Davis was good, but Streep is nothing short of amazing.

    2. I agree with you concerning “Babette’s Feast”. In fact, since that year, I’ve always regarded EVERY Best Foreign Language Film Oscar winner as mediocre, while the truly deserving film rarely even gets nominated.

      This year, the late Raoul Ruiz’ “Mysteries of Lisbon”, a perfect masterpiece merging filmmaking with art, did not even garner a nomination from the lazy ol’ Academy members who can’t sit for more than 2 hours (“Marge, I have to change my Depends!”) or who can’t appreciate films that require use of the brain.

      “A Separation”, albeit a good film, is basically Iran’s version of “Kramer vs. Kramer”, though it’s not as good as the latter. It’s merely a drawn out squabble between spouses with a less than satisfying ending.

  3. It was bad enough that george clooney lost to what is a very thin performance by jean dejaurdin, but seriously viola Davis robbed again???? Meryl’s iron lady is not anywhere near her best role, I would have much rather Michelle Williams if not viola. Harvey’s influence is really this deep because there is no other explanation. I wish he was able to bring inglorious bastards to Oscar gold. Oh well. Happy for Meryl, but I hope that viola can get another role as good as her role in the help. It’s just wrong

  4. Rango was the only one I saw and it was fairly entertaining and good animation.

    The rest I won’t waste my time to sit through.

  5. I watched for 10 minutes or so, got to thinking, bad, I will enjoy it more by checking DRUDGE and his links this AM. I was right! NIKKI FINKE has the best critique possible! Thanks Matt.

  6. If Meryl Streep starred in “Saw XXVII”, the movie would be nominated for a Best Actress Oscar . . . and would, most likely, win!

    Academy members don’t even have to see her films anymore; ballots are probably sent out with her box already pre-ticked.

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