EXCLUSIVE: While the outbreak of zombie and vampire films has been well chronicled, Hollywood has also become flush with Frankenstein films. The latest is an adaptation of the Peter Ackroyd novel The Casebook of Victor Frankenstein, which has just gotten Pulitzer-winning Proof playwright David Auburn signed to write the script. The project is set with RT Features, and Sam Raimi and Rob Tapert’s Ghost House Pictures. The story covers the youthful days of Frankenstein, who begins experimenting with corpses, influenced by the outspoken English poet Percy Bysshe Shelley, whose Mary wrote the book. She’s a character in the film as well. RT Features’ Rodrigo Teixeira will produce with Tapert and Ilene Staple, while Fernando Loureiro, Jeff Vespa and Ghost House’s Nathan Kahane and Lawrence Grey will be exec producers.
That’s just one of several Frankenflicks. Universal is developing a new version of the 1931 studio classic movie with Guillermo del Toro and Scott Stuber; Summit Entertainment is developing This Dark Endeavor: The Apprenticeship of Victor Frankenstein, an adaptation of the Kenneth Oppel novel that is being produced by Twilight Saga’s Karen Rosenfelt; and Columbia Pictures and producer Matt Tomach recently acquired Frankenstein, a contemporary re-telling of the famous tale based on a pitch by Craig Fernandez. If that’s not enough, former Guns n Roses guitar hero Slash, whose Slasher Films is teamed with Scout Productions on a Jay Russell-attached Wake the Dead, a Frankenstein tale based on the graphic novel by Steve Niles (30 Days of Night). And let’s not forget Fox 2000’s remake of the 1975 camp classic The Rocky Horror Picture Show, last heard from around Halloween, when the studio courted Glee’s Ryan Murphy, right after he wrapped an episode devoted to the original movie.
Why the Frankenfixation? It certainly doesn’t hurt that the Shelley novel is in the public domain. Movie depictions have been hit or miss over the past few years, but Danny Boyle recently drew raves for directing a stage version at the London National Theatre. While there seems to be an endless appetite for zombies and vampires, the specificity of the Frankenstein creation story probably means that only one or two of these will survive the road to production. Auburn’s repped by CAA and Code Entertainment, while the RT producer/financiers are repped by UTA.